mountain crossroad

HIGH JUBILEE

As the flashy plumage of the peacocks

contrasts with the somber wall

of a hunchbacked cathedral… so

the worldly chit-chat of the literati mocks

the stark lofty simplicity

of a mountain crossroad –

where a mule bites goad

with gritted teeth (stubborn humility).

& I think of those high stony passes

of Armenia tonight

as I foot my way, right

back to bright horseplay of Itasca

primavera springs.  Up there, young

Ojibwe (generation after

generation) took the fast

of separation from the world (a brave-sprung

discipline) – & he awoke & found it truth.

So (as I inch toward the close

of my rheumy, 8-years’

rêve-glose) I want to emulate that youth

& drink the clear spring water, sing my fast

manifest the rabbit frame

these longish footprints form…

untwist my Huckleberry ruse at last.

Tell me what is a human soul & spirit

& you will say what I mean.

What they have always been –

a knot of everlasting life, the whit-

                  *

sun wedding of the nodding twain.

Theseus, Ariadne… Adam,

Eve… – til Jesus came

& lifted every limb to Paradise (again).

All’s figures.  Here’s a 4-leaf clover;

twirl it between your fingers.

See where Hobo lingers,

lost in his maze… only a cavernous nave

overhead (synagogue of Always-There).

Can you conceptualize

the structure of the Bible?  Is

your mind glazed yet, by the seven spare

sparks of Pentecost?  Has the Spirit

settled upon you as a dove

& vaulted you to eaves of love?

This is the salt that fires each aspirant

& burns away the dross around the urn –

kindling Dante, Roger Williams –

forging those adamant amalgams

melding heaven-earth, sacred-profane…

prophetic copper work of Providence.

For the covenant of God

with Man is happy seed-

grain of the common good – equivalence

of Golden Rule & last commitment;

liberty from tyranny

is predicated on glory… high

Jubilee of restoration (in a dreamer’s tent).

4.24.20

emblems of endurance

EARTH SPIRALS

The words are worn & second-hand

because they came to you

from what came before you.

Peaceful silence of that early land.

Spring meadow, showered with gemstones

glinting in the Joe-Pye weed.

Her breathing warmth, your need

to hold.  Her smile, tickling your bones.

What I wanted to say, could I put it in words

seraphic Maximus might get?

Leaning no-handed on his parapet –

a prisoner (two mourning doves his birds

of paradise, his golden fleece, his dream).

Our tacit sense of truth

sleepwalks, like gentle Ruth

into her waking world.  Like a clear stream

running over red-brown clay, where scattered

agates gleam… moss-rose earth spirals

guide us to Gateway walls –

Itasca springs of earliness.  Of all that mattered.

The throne, the chair of adamant obsidian.

Her maze of Mexican onyx.

Coatlicue’s fire-tempered bricks

of wrath & fortitude… that perihelion

of burning sun, her purifying kiln.

These emblems of endurance

frame a turtleshell dance,

absorbing pain – her sweat-salt will.

4.9.20

where the spring is found

ROBIN HUM

This plaintive spring, like a lonesome robin

piping his distance at the riverbank.

Out of The Tender Land, I think.

The vast bronze river is one serpentine

vibration.  A continental vernal sign,

stretching with catenary smiles

from Lake Itasca to the marshy isles

off New Orleans.  & Hobo sez – all mine.

Dotted with gravity of local bridges,

1132 miles (up & down).

Their almond arcs a pontoon

cascade… cavernous vector of ledges…

climbing toward a flimsiest first whorl

of fiddlehead crowns

at the source of sounds –

where the spring is found.  All shall be well

& all manner of thing shall be well

when the blazing rose shall dwell

at the matrix of clay wheel,

& Thunderbird boom his bronze bell.

& the cry of the mighty bird & the sigh

of the river sound one octave :

unison, played in the key of Love.

For though I sing like angels & men… & though I

have all knowledge – all prophetic wisdom

of stars & planets, capitals

& kings – yet I have not caritas…

I am but sounding brass.  Hear Robin hum.

3.19.20

print on linen by Grace Tagliabue & Phoebe Gould

like a small town playground

LIGHT GOLD

The restoration of all things…

what’s it about this phrase

corrals my shifty gaze?

Some infant stimulus it brings?

As at the source of vast rivers

(Mississippi, Danube)

a baby spring’s hubbub

purls out of ground… shimmers

in bitter February air & light.

The restoration of a truth

too plain, too clear, to booth

as Peter would (its glare so bright).

Universal constant, Einstein’s measure;

flexible cinch-thread

of muttering light gold

sent to bind man, through rose embrasure.

Power’s byzantine – but truth Franciscan.

Peaceable polity

is founded in equality

chaste as a child’s eye (Petersburgian).

The restoration of the human world

is like a small town playground,

where the rusty sound

of an ancient iron swing is curled

within your inner ear.  You heard it

years ago, once… now,

again.  No one knows how

the goldfinch’s tricolor obsignat.

2.16.20

in the shadow of Notre Dame

TO YOU

To you who have walked with me

all along this many poem.

I would translate my diagram

of raven wing into quick algebra.

As daylight stretches into spring

I would head to Beltrami

a worn-out refugee –

Itasca hearts to weld by wring.

The Iron Range is as our life,

cold for sunrise, fire

by dusk.  Evening Star,

Dove-Bird, be thou my wife

                 *

whose effigy is coppery Peg

centered in Big Muddy silt

at Pentecost, green to the hilt.

Cahokia palm (with Easter egg).

She danced in the shadow of Notre Dame

a firebird, on 5/29

with flammable cardboard mural crown

for Apollinaire to remember (at the Somme).

& she wheeled across flat American clay

from West Branch, a circumference

of byzantine raven-sense...

to lift sad Earth toward the Realm of Day.

1.8.20

from a painting by Phoebe Gould

in cedar spring

SMALL STONE

Hobo sauntering by the mother-river

with a pebble in his shoe

small stone, toe-to-toe

just for you, forever & ever.

It’s the mystery of history, he says

the authority of the source

headwaters, of course

Veritas caput.  & so his voice

goes modulated with the flow from there

as the sound wave of a whale

goes through a wave, to hell

& back – using echolocation (your

submarine eye, Osiris-sailor).

As the cathedral-builder

put her name in the floor

at the center of the maze, Jair –

that’s where you’ll find her grey-

winged agate (like minnow

in Rio del Espiritu Santo)

making the sign of a spiral J;

like a whisper out of the heart of silence

or out of Ocean River

circling round you forever

with those winking lights, intelligence

of love... because what was human & personal

is as close as your shadow

& adores creation – El Shaddai

in cedar spring (simple, loving, powerful)

5.18.19

Ojo de Dios

SOURCE-VIBRATION

The iconoclast in his canoe

oars his poetry

(defying gravity)

upstream.  I’m following you,

he murmurs, to the light

behind his back.  One

source-vibration

senses waves out of her tight

spring, jetting toward the Delta.

The prophet’s out of season,

Henry, mutters Jason

Bluejay (Hobo’s twin).  ‘Strooth, sirrah.

Fake saviors, antichrists will rise

like worms out of the mealy

rot, promising Envy

great Vengeance.  Where the body lies,

there vultures will assemble.

The Boar will tusk the Prince,

fill Earth with violence...

foundations of the planet tremble.

His canoe, the eye of Providence

(Ojo de Dios) whirrs

to emerald headwaters.

One pine, one fiddlehead give evidence –

your vernal J spirals intelligence

of love (bright quickness lost

& found).  Swift Holy Ghost

Rio pours restoration, recompense.

11.19.18

What cheer, Netop?

WESTERN STAR

Words gather round you, little tree

of Providence – little pine

of memory, blue-green

as the sea.  An Itasca task for me,

to reckon the source of poetry –

freshwater Ocean State

from a spring so shy, so late!

– in the heart of Hobo’s Mississippi.

Like a calm symmetry between

twin Mirror Lakes... maize

mazes, where she stakes

me down (tied at the bow to green

apple root)... under the granite gate

at Prospect Terrace – Roger’s

benevolent dream-sponge,

soaking up querulous fear & hate

& wringing them out upon a font

of Narragansett friendship.

What cheer, Netop?

hails the raven-tested testament

of human fellowship – fond canoe

of rational amphibian,

this turtledove Leviathan

who swallows all to bear Jonah anew.

Buoyant almond of my soul... you are

that copper-penny Liberty

harboring everyone for free –

between Caesar & God, one Western Star.

9.8.17

hobo takes upward path

ITASCA SPRINGS

This deep translucent honeycomb,

this palimpsest of green

beside the bronze serpent

of midmost river, mother-stream.

Hobo must climb from his log-bed

of lassitude & diffidence.

He sees the circumference

of his enormous creaking sad

forsaken solitary double

ferris wheel – his rusted

rose or Island Road,

a lonely spark of conscience-trouble

(ancient Roger Williams port

for Puritan & exiled

Quaker, reconciled

by Narragansett welcome-heart).

He must un-knot his mumbling

& speak to the res publica.

Tender Mnemosyne

leans like a wispy cedar, trembling

against the scorpion-twister

of learned viciousness

& bland unconsciousness –

conceited treason like a blister-

burn, compound of avarice

& vanity – unreason

squawking each lesson

through megaphones of fraudulence

                  *

– corpse-flowers of corruption

breeding in rotten logs

of oligarchy – hogs

& coyotes preying on the children

of the designated sacrifice

(the under-underclass

under the overpass,

who pay for our convenience – twice).

The Minotaur of twisted love

contorts against grace,

O Hamlet Falcon-Ace –

his den of hate-mark drove the dove

out of her rightful nesting-place.

Her forum of good will –

Columbian windowsill

of human fellowship (Dante’s

& Aristotle’s animale

compagnevole) – sheds

reflective limestone beds

of ever-new Itasca springs (ey

yo) out of unfathomable depths

of Manitou-benevolence

(Ghost who in silence

walks beside you, sweet Princeps).

Ophelia, Horatio, Francesco,

Juliet... heart-Jonahs

surfacing from Okeanos –

anchored fresco-arc astride Frisco.

5.4.17

concrete Cleopatra

RESURRECTION CEMETERY

The river is calm, like a brown mirror

on the vernal equinox.

Moving through bifocals

of that lovable double oval (dear

Franklin Ave. Bridge).  Gliding

from Ojibwa marsh,

a trickle out of harsh

winters... a fluent continuum (abiding

parchment years, the tides of March).

On this sparse Minneapolis

spring morning, under clumps

of woolly cloud-cover, her twin M-arch

might make a 2-seat kayak for a monarch

(Manitou, Big Wind) –

swelling from wing-finned

goldfish to a whale (or Jonah’s ark).

The flimsy grey wool threads a quipu

knot.  Stravinsky’s right

to be so wrong : the lights

are snuffing out all over Europe...

the little gypsy girl must dance

to death (so we might live).

The crowd roars, GIVE.

Ariadne’s thread enwraps the lance

of Theseus, the hunter.  MINOTAUR

IS RUST (feed him tar-cakes

until he bust).  Stakes

are high – each gets an equal share

                     *

or else.  It’s the American way.

So speak plain English.

Royal myth be not the dish

we wish for now – try testimony.

They killed the King of the Milky Way –

lofty Melchizedek

(& his Irish sidekick,

his brother).  Sacrificial hay

for infinite Corn Goddess, maybe?

Don’t think so.  It is

& means to a dead end (his,

theirs, ours)... rewind the anthropology.

Anonymous shadow tilts toward sundown.

Ghost dance under trees.

He coming back, in threes –

the buried man, with his Papillon.

The guy in Resurrection Cemetery

(never gone, still here).

Can’t kill someone who never

died – so let’s undo all this necessary

violence (stand your ground, Hamlet

– until Ophelia’s dead gone).

The Shadow Knows (someone

whispers – my Dad?).  The blood is let.

It’s an old warped story, on the loom

of Time.  Peruvian lamb

sandwich, taken for a ham... a

concrete Cleopatra (equal to her doom).

3.20.17

an aria of Ariel

SAFETY NETS

On the vast floor of the nave at Chartres

a golden labyrinth

circles the square.  Myth

of primal clay, where everything starts

over... springs up from the ground;

even the epic poem

circles back toward home –

Thanksgiving hearth of heaven, lost

& found.  It is an Ithaca

where Daphne-laurel molts

back to Penelope – bolts

from the yarn, like Minnehaha

laughing upstream toward Itasca –

primeval Persephone

(O veritas caput).  She

looms at warp speed, like an aria

of Ariel – zips through the Gateway

Arch, to Providence –

races around, from Florence

to the Golden Gate, where she will play

out safety nets, & save the day –

& from Pacific to New York

lift up her blazing fork

of sea-green, Lincoln-penny Liberté.

She is the almond in a nest of nests –

a hollow echo-tomb

from which Columbia will bloom

again, spring-fed by Galilean breasts.

9.20.16

down to St. Lou

SLATE PANOPLY

Henry’s Chair is in the woods,

beside the Rio del Espiritu

Santo.  Hobo to you,

mayhap – lost in his darker moods;

drawing a diagram in river-sand

of Ursiana’s barer pillars,

moss-bound Giuliana’s

pines (forlorn Ravenna swampland).

Emblems of spiritual epilepsy,

moon friar.  Lame lone wolf

Dante, crying for a proof

of integral radiance (nay, nay

sobs hunchback Leopardi).

Hiawatha whistles there –

follow the tripping Hare

Whirlaway to Itasca – see?

The spring.  Mammoth drone of stream.

Down to St. Lou,

where airs axle true –

bloodveined grey sponge, clay dream...

tuning-fork in the river road.

Wheel, innocent rabbi,

through your Galilee

of primary colors – lift the load

from Henry’s sloping shoulders.  Bend

a prism to Columbia,

slate panoply of Jonah-sky –

who lights the harbor at grave’s end.

9.15.16

Henry's Chair

through clouds like whales

SOUL SCOUT

                              i.m. Fr. Jacques Hamel

You breathe a mist over stained glass,

like a cloud over Mirror Lake,

by the trolley road to Blake

(in Mendelssohn).  Rouen, alas.

In Chartres nave, one dark gray

thread still navigates

J-whorl, on golden agate –

Ariadne’s Way (sealed crypt to Day).

Her catenary smile will make

a lazy loop through Space

in Time; her carapace

a turtleshell – sweet curve you take

through clouds like whales, Jonah –

to find an old mercy-go-

round anew.  Like Jessie O.

on racy waterwheeler, sunray-

rain-bowed – Lady Liberty

an echo of Cahokia,

a salience of Royal Oak

(lips’ kayak lifting word to be).

Deep breath, Path P, Rhodos.

Out of a barbed-wire

cat’s-cradle (rust pyre

of Minotaur-empire) you rose –

winded with old George, the breadwinner,

& Maggie, of the veritas

caput – where Brandywine flows

into 4 Pine River (soul scout’s honor).

7.26.16