Showing posts with label Marvell. Show all posts
Showing posts with label Marvell. Show all posts

9.08.2017

What cheer, Netop?



WESTERN STAR

Words gather round you, little tree
of Providence – little pine
of memory, blue-green
as the sea.  An Itasca task for me,

to reckon the source of poetry –
freshwater Ocean State
from a spring so shy, so late!
– in the heart of Hobo’s Mississippi.

Like a calm symmetry between
twin Mirror Lakes... maize
mazes, where she stakes
me down (tied at the bow to green

apple root)... under the granite gate
at Prospect Terrace – Roger’s
benevolent dream-sponge,
soaking up querulous fear & hate

& wringing them out upon a font
of Narragansett friendship.
What cheer, Netop?
hails the raven-tested testament

of human fellowship – fond canoe
of rational amphibian,
this turtledove Leviathan
who swallows all to bear Jonah anew.

Buoyant almond of my soul... you are
that copper-penny Liberty
harboring everyone for free –
between Caesar & God, one Western Star.

9.8.17

5.19.2005

Examples of perfect, "seraphic" poets : Holderlin, Pushkin, Marvell, Keats, Donne, Rilke, Celan, Mandelstam, Whitman, Dickinson...

what makes them perfect? At their best, they make verse sing on all levels. Intellectual music. Going to the edge of the human (the upper limit).

Mystery of when & how nations & cultures evolve perfect poets. Dialect of the tribe; shared meanings & forms of play.

9.11.2003

As for obscuritie poetickal, here's a somewhat oblique, Marvellian meditation on the social role of poetry (from Way Stations):



WATER MIRROR


Hammersmith Farm, childhood home of the late Jacqueline
Kennedy Onassis, site of the reception for her wedding to
John F. Kennedy and his summer White House, is for sale.

–Providence Journal-Bulletin (July 4, 1995)


1

They're selling off the old homestead,
the mansion's on the auction block;
the lawns where Jackie used to walk
burrowed by realtors instead.
Ten million bucks, it can be yours:
the gardens, chandeliers, heirlooms,
John-John and Caroline's bedrooms...
Camelot flickers in the mirrors.


2

From harbor frontage you can see
four seasons glimmer in the surf,
watch changeless flotsam crash, drift.
Washington seems far away.
There, a bigger sale is on:
the common good, at discount rate,
from state to corporate bureaucrat
(by way of Senator Middleman).


3

So why mold grief in pewtered rhyme
for simple change, a mansion's fall?
Irish rumrunners, after all –
death by water. A waste of time.
A Yeats might mourn old manners gone,
the shipwrecked dream of Camelot,
and scorn the Newport plutocrat
gnawing mahogany's snuffed grain...


4

She's in the grave, the early girl,
swan-woman (pillbox hat, pink coat) –
sun-glassed, mysterious, remote,
demure, still point of social whirl,
who tacked astern with hasty Greek
to homeward islands, east of West;
she's gone, the akme of the best,
a dolphin – gilded, guileless, sleek.


5

But like a man who finds his wife
locked in the arms of a stronger chest,
I'm stung with song's unease, unrest –
a uselessness, usurped by strife.
Trajectories of melting ice;
chaos of shards; an arctic herd
shrinks (absurd equation) toward
Time's backlit Death Row device


6

and no one knows who killed the King
or the two princes by his side –
the talent that is death to hide
cannot un-Gordian anything.
Times are evil. Redeem the day –
that day he sat at Hammersmith
and merged the Peace Corps with the myth:
a green American sunray.


7

Another Greek, Simonides
(or so writes Roman Cicero)
wove stories intricate and slow;
his tyrant patron was displeased.
"Lay off those Twins, you dunce"
he cried – "Castor, Pollux –
you're labored, prolix –
recite my noble deeds, for once!"


8

And tossing the poet only half –
"Let those Gemini pay the rest!" –
the prince expelled the fabulist.
Then, in a glancing lightning shaft,
two spooky boys were seen on high.
Destruction rained down on his head.
The bard survived, to name the dead –
baptizing each guest with a sigh.


9

Another house is up for sale.
Driftwood clutters down the shore.
No one listens anymore
to songs of Camelot or Grail.
But over the mortgaged property,
over White House, pillar, dome,
I see two ghostly brothers roam.
Let slow strands weave their filigree.



7.8.95

2.10.2003

Yes, as the Platypus of Doom, I find myself increasingly alienated from the poets who circulate in blogworld, so secure in their antiwar sentiments, so certain that they have seen through the conspiracy of Tex & Rummy et al. I want to agree with them, I want to think we are fighting the Vietnam War all over again against the American War Machine...

but then I look at all the facts I can gather & it seems to me a legitimate case can be made that the current Iraqi dictatorship does not deserve to have these mass-killer weapons, and if they are not willing to give them up, they should be removed by force. The arguments from fear are very powerful ("the Middle East is a tinderbox. . .
they will come & take revenge on us. . ." etc), but we should be moved by reason & not by fear. If Islamic extremists decided to massacre thousands of Americans because they were angry that we were taking away Saddam's WMDs - well, are we going to let them dictate the agenda? Because that is what it would amount to if we gave in to them.

The proto-fascism & extremism emanating from Islamic reactionaries must be opposed. So must the injustices of fundamentalist Israeli zealots & extremists.
So must the complacent imperialist logic which allows might rather than diplomacy to manage policy. So must the Karl Roves of the world, who think they can spin international crises into dividends for their faction & its plutocrat supporters.

I am very ambivalent about the situation. Maybe only poetry can express the ambiguities with sufficient exactitude & irony. I'm think of Marvell's ambivalence & his Horation Ode. Someone could take the descriptive satirical powers of prose & make a real poem out of this impasse, from the sands of Texas to the sands of Ur. The trouble is most of the poets are pleased to express cardboard opinions & make febrile tinny sounds. I suppose I'm one of them.