Showing posts with label Antichrist. Show all posts
Showing posts with label Antichrist. Show all posts

3.28.2020

like a gouache by David Jones



LITTLE GROTTO

Day like a gouache by David Jones.
Diaphanous vision, muted
by sea-wind, raincloud.
Mountain, meadow, rust (earth tones).

The nightmare of the Great War
like sulphur tuning fork
or buried line in Eden Park
commingles its dilemma in a metaphor

like rose in steel dust (Roger’s compass,
pointing NNW).
& Image of the Beast is
emblem for the matrix of that enterprise

encrypted at the center of a corn maze
where Satan & his Minotaur
(ICE-bound, possessed) are
snared (handcuffed in their own cold glaze).

The Man of Lawlessness, like Terrible
Ivan – he makes his own desire
the absolute measure;
he’s lost to caritas (in his own bubble).

Imagine Ghiberti’s golden doors
at the Baptistery in Florence
with angels forced to dance
to the lash of demonic matadors…

imagine Eugenio, alongside Clizia
locked in the library
with Mussolini – her sturdy
sun-glance, over the chessboard… ah,

*

bright wings!  When Everyman & Woman
breathe in the heartland
of their living temple… &
Joachim’s eagle plummets through the Plan

of Ages!  Providential restoration, O
downglide of Holy Ghost!
Multitudinous host
of human happiness – blue emerald glow

of soft & silent cat’s-eye revolutions,
roll!  & be the planetary
hearthland, wide prairie…
deep swell of Thunderbird flute sessions!

Because all the world’s a stage, coach;
the play’s the salty verse
for catching Eddy the Perverse,
who suckles his Corona like a roach

out of the Minotaur’s bleak heart –
rotten as… who can say?
God knows.  Only way
’s to pinwheel back where we start,

Pocahontas – up to the swirling
origin of springs.
A little grotto brings
its whisper of clear water.  Everything

draws near.  Pleroma for Fisher King
(little lad in oak tree)
shines, golden, leafy.  His
mother smiles… rainbows from nothing.

3.28.20

2.13.2020

so in such straits




GOLD FLEECE

In the blank depths, at nadir of winter.
An acid stain of turpentine.
Peto’s absinthe green
in the still life; drumbeats in the mirror.

Lincoln & Kennedy… Kennedy & King.
Black silk around the photographs.
Time, summarized in epitaphs –
a rocket glare that freezes everything.

& traitors cluster in a mortis-ring
about great Yggdrasil,
composing lizard doggerel
with fangs of trumpery & sting

of fraud.  Shaping a lattice for a type
of self-enclosing anti-Christ,
whose mesmerism none resist –
Rumored Injustice To Be Smashed By Hype.

So in such straits we huddle round the mast.
No longer measure progress
by the steam pipe’s hiss
& whistle of alarms.  It’s in the past,

a memory of island buoyancy
elliptical & calm
we’ll find that palm;
amid light’s brilliance, a transparency

as if an eye looked down from azure dome
as acorn witness for an apple kingdom –
as if the citizens of heaven-home
were you & I… gold fleece of human freedom.

2.12.20


11.19.2018

Ojo de Dios




SOURCE-VIBRATION

The iconoclast in his canoe
oars his poetry
(defying gravity)
upstream.  I’m following you,

he murmurs, to the light
behind his back.  One
source-vibration
senses waves out of her tight

spring, jetting toward the Delta.
The prophet’s out of season,
Henry, mutters Jason
Bluejay (Hobo’s twin).  ‘Strooth, sirrah.

Fake saviors, antichrists will rise
like worms out of the mealy
rot, promising Envy
great Vengeance.  Where the body lies,

there vultures will assemble.
The Boar will tusk the Prince,
fill Earth with violence...
foundations of the planet tremble.

His canoe, the eye of Providence
(Ojo de Dios) whirrs
to emerald headwaters.
One pine, one fiddlehead give evidence –

your vernal J spirals intelligence
of love (bright quickness lost
& found).  Swift Holy Ghost
Rio pours restoration, recompense.

11.19.18

6.27.2003

What is history but Faust writ large & messy?

A play about the man who sold his eternal soul for today's Mammon Power & Glory. It takes a lot of guile & insolence & devil-may-care to be a tool of Hell's minions.

What is history but the manifestation of the Man of Sin, the Antichrist - a moral reality, essentially - on the plane of historical time? The conclusion of Paradise Lost dramatizes this reality.

Of course, that's the negative side of the story. On the positive we have the patience of the saints and the redemption of the earth & de Day ob Jubilee.