wheezing in an iron lung

PATIENT BURRO

Utterly subjective universe

of the poet, Hamlet

dreaming action... what

was I thinking?  A serious nurse

stood by my cradle (Abbott Hospital).

I was four years old,

wheezing in a cold

iron lung.  Paralysis (total).

1956.  Guillain-Barré.

Dr. Pohl – I

don’t remember (sigh).

Osiris in his casket, hey

ey yo.  The photo in the Star-

Tribune – toothy Henry

hugs his scarlet monkey

in a wheelchair.  Recovery! (Bizarre.)

Like the slight son of Giuliana

in a clinic in Ravenna.

Watch her parabola –

purple violet (or cypripedium

reginae) fringes the pottery;

congregate, massive

unguent jar, evocative

lure (hand of Lippo Memmi)

harboring anointment oil.

Milk, sap, honey,

wine, blood...  See

the star-eye riding the sea-roil

                  *

on her prow, lancing the Black Sea!

Magnet of gold foil,

handle for plow-soil –

wave of personae-galaxy!

As if the searching character of Isis

were encapsulated in

this matryoshka-queen.

Vierge Ouvrante (Hagia Sophia’s

magnifying glass, or Henry Church)

sums up significance

of eucharist – each instance

in a suffering kenosis, the human lurch

(from safe beatitude to surf

beat attitude)

leading to passionate

étude (H. Gorecki... – it is enough).

Prow like a beak, eye like star,

the solidarity of Polar

Bear – it is our

birthright, people everywhere!

Metaphysical, incomprehensible

Love, that finds an echo

in the infinitely patient burro

suffering everything.  Your fable

inches toward the human heart

on light footsteps...

so Nora’s rose keeps

Eros innocent (sweet garden violet).

1.25.19

On my lunch break, trying to read article about Siena buildings, actually thinking haphazardly about post of earlier this morning, about my life's "silliness", thinking all writers are silly, their work is hidden from sight, their lives - their real life - goes into their writing-work... which reminded me of my grandfather, the engineer, whose life was hidden in building projects in the midwest almost 100 years ago... thinking of writers as engineers, then chanced to read in the Siena book that the top of the famous Mangia tower in the Campo was designed by Lippo Memmi... which was a nice little thing for me to find, since it revealed some continuity in my work, by way of this poem, written long before the current "Siena" project (Fontegaia)... now I realize that Lippo Memmi's model for his icon of the Magdalen (in the RISD museum down the hill) was probably Sienese...