Showing posts with label RISD Museum. Show all posts
Showing posts with label RISD Museum. Show all posts

1.26.2019

wheezing in an iron lung




PATIENT BURRO

Utterly subjective universe
of the poet, Hamlet
dreaming action... what
was I thinking?  A serious nurse

stood by my cradle (Abbott Hospital).
I was four years old,
wheezing in a cold
iron lung.  Paralysis (total).

1956.  Guillain-Barré.
Dr. Pohl – I
don’t remember (sigh).
Osiris in his casket, hey

ey yo.  The photo in the Star-
Tribune – toothy Henry
hugs his scarlet monkey
in a wheelchair.  Recovery! (Bizarre.)

Like the slight son of Giuliana
in a clinic in Ravenna.
Watch her parabola –
purple violet (or cypripedium

reginae) fringes the pottery;
congregate, massive
unguent jar, evocative
lure (hand of Lippo Memmi)

harboring anointment oil.
Milk, sap, honey,
wine, blood...  See
the star-eye riding the sea-roil

                  *

on her prow, lancing the Black Sea!
Magnet of gold foil,
handle for plow-soil –
wave of personae-galaxy!

As if the searching character of Isis
were encapsulated in
this matryoshka-queen.
Vierge Ouvrante (Hagia Sophia’s

magnifying glass, or Henry Church)
sums up significance
of eucharist – each instance
in a suffering kenosis, the human lurch

(from safe beatitude to surf
beat attitude)
leading to passionate
étude (H. Gorecki... – it is enough).

Prow like a beak, eye like star,
the solidarity of Polar
Bear – it is our
birthright, people everywhere!

Metaphysical, incomprehensible
Love, that finds an echo
in the infinitely patient burro
suffering everything.  Your fable

inches toward the human heart
on light footsteps...
so Nora’s rose keeps
Eros innocent (sweet garden violet).

1.25.19

1.04.2017

breath of future time


ROSE ISLE

Providence must be frozen now –
near as cold as here.
There, in a corner
of RISD Museum, on the brow

of a painted rise – a late-medieval
child-world.  Horses
& men, innocent & coarse
in their gaudy armor, their carnival

smiles... all in a day’s work,
limns the rustic Master
of the Providence Disaster
(Crucifixion, id est).  The wolf-pack

crowds up a drowsy, lamb-shy
Messiah-King.  His large
eyes scan the callous surge
ringing those toxic letters – IN RI.

We learn dissonance from what blocks
our way.  The enemy
in the script – mythology
played to strength – flows through the locks

like Trickster (shifty for defense).
Jonah swims with the fish.
Jason or Gilgamesh –
the babe in the river-basket – immense

human soul-wheel spun from sloppy
river-clay, to stand
for Mama’s Best (hand
circumnavigating Ocean Sea

                 *
            *          *
                  *

like sunken Galileo Galilee).
Enameled figure, lambent
on his Southern Cross.  Bent
course, awaiting Arimathee.

Merely a muttered word you must
absorb, digest, like that
moist crumb from Josaphat
(bottom of the well of Cain’s mistrust).

Cain is unable to redeem himself.
The Minotaur blockades
all Ariadne’s braids.
Only a feather from Fiore’s shelf –

Joachim’s rapt ghost – might wave
a breath of future time
across Earth’s clumping rhyme
& waft her grey eye through its architrave.

The wooden limbs of Roger Williams,
still petrified atop
his cliff.  Scars crop
our hope – Man’s malice rims

the years with lime – yet still
the copper peristyle
of liberty’s Rose Isle
shines in its matrix (Man’s good will).

1.4.17