Showing posts with label Burchfield. Show all posts
Showing posts with label Burchfield. Show all posts

2.18.2019

Dark Lady, mayhap




BRADY SEZ

Near the headwaters of Mississippi
this silver-gray sinkhole
fixed as North Pole
in frozen vortex.  Photography

captures the chill nether-life
of Lethe (Brady sez).
A trestle-bridge passes,
rusty in the distance.  A pocket-knife

of cottonwood unfolds where innocent
Ophelia submerged at last,
last fall.  Her ballast
was a blast of wrath – so violent...

collateral damage of masculine panic?
Mayhap.  Dark Lady
(all Berryman’s study)
of minstrelsy... America’s Titanic

or J. Johnson’s grace (we don’t ship
no coal) exudes black milk
for wild Melchizedek
nested in Erica-barge (molto largo trip).

Jonah-Osiris was a dove, Columbia.
Like a Burchfield winter
or Grant Wood choir
she might emerge, Jesse Ophelia –

she might molt into an Ariadne’s Crown
stars shining down
around your bulbous clown.
Jaybird of Eli, couched over Washington.

2.18.19

5.09.2018

How to be God's friend?




JUST BEYOND

The lifesaver : a fruity ring
invented by Hart Crane’s
father.  Across the plains
yawing wind-wagons roll.  Something

akin to Grant Wood corn, maybe –
an icon.  All’s figures,
counsels holy Zero
Summer.... Burchfield parody

(complete with feverish Light-
in-Gale).  Deep swampland
heartland, over sand-
fly latitudes.  God’s outa sight;

Dad’s a kind of Kingfish, generous
in all the wrong ways.
Those were the dog days.
Rain... unlikely hymn (so mysterious) –

another author, just beyond the pale.
Moses climbs from his dinghy
ready to shake that thingy –
waterspew from Rock (a Word, set sail).

How to be God’s friend? ask
the Friends.  Williams hectored,
but he left on record
how to walk humbly (high shellfish task)...

Friends gathered in a Rhody cave.
Silence is best response
to Charlie’s dalliance.
Our Author is a friendship trope – to save,

not to condemn.

5.8.18


6.06.2015

Deep lands

Home again in Providence.  Tucked into the old house, with the dogwood & the weedy patio in the backyard, the books upstairs.  I realize after 25 years how much I have become an appendage of this appanage.  I'm part of the local landscape.  May have to leave it soon.

Driving non-mindedly through springtime Wisconsin, Indiana, Ohio, Pennsylvania... wide fields, deep lands, prim farms... trying to keep things going.  The banks of weeds & flocks of trees along the roadside (somebody's Rock Candy Mountain).  The beckoning earth.  (Burchfield's Ohio.)

"Beauty will save the world."  (Dostoevsky)  Reading The Education of Henry Adams.  Adams' quasi-Buddhist passivity.  He understands the futility of late-Darwinian naturalism - yet scrambles around without finding an alternative.

Faith, from the naturalist view, seems an expression of bad faith - a deliberate shuttering of the rational mind.  Mantra for closed eyes.

My whole focus an attempt to justify another view : one which has grown on me over time, prompted by a sort of unconscious prescience, an adolescent St. Vitus' mime of my own future orientation.

The naturalist reads the universe in a context of shock - the shock of recognition of the unknown.  This is the real psycho-cultural after-effect of the development of modern science.  Thanks to the Hubble Telescope et al., we see the universe more immediately, more concretely - an incalculably immense wasteland of burning stars & circling rocks.

The religionist sees the universe as a metaphor, an allegory, a sign.  This kind of seeing is now judged, by the scientific mind, to be the most egregious & central scandal.  It's a kind of evasion, an idealistic feint - as fiction, myth-making.

The poet (arch-Romantic) believes in a vitalist, personal, Reality.  The poem is a document of this faith : a vivid speech, a living voice evoking a living world of living beings.

I can't convince you of what I believe - I can't even enunciate it.  I'm trying, but I fall short.

"Beauty will save the world."  This is Dostoevsky's version of what was once (back in medieval times) understood as "the economy of salvation".  Divine Providence has a plan for the redemption of the earth.

The story of Christ's death & resurrection is a kind of metaphor.  A mystery play.  A symbol, a sign of the "Son of Man" : that is, a representative image of the destiny of the human race as a whole on earth, and of the fortitude of the individual person enmeshed in same.  We die, yet we live again.  We overcome evil through love.  We redeem the earth.  This is "Man's" project here, "Man's" goal.  Joseph Brodsky : "Man was put on this earth for one purpose : to make civilization."  I would revise this formula, however.  Man was put on this earth to discover the love of God (which is really the same thing).

All these phrases of mine are completely useless.  I can't put into words what I really sense & know.

I helped bury my loving, steadfast father last month.  He went into ashes by Minnehaha Creek.  Yet he lives.  He leaves an outline of the Son of Man, a fulfillment of one local corner of the creation, where he shone like a star.

"Ariel was glad he had written his poems..."

"A Tear is an Intellectual Thing,
& a Sigh is the Sword of an Angel King."

Beauty will save the world.  There is a harmony to the whole of life which no artist or scientist has been able to express.  It is "grace", it is "love".  It will overcome evil & will make all things new.

It is personal beyond our understanding of the visible person.  It is whispering to you.

Which reminds me of this little poem I wrote about 30 yrs ago :

from a cave

Such a small voice,
I would not stop to hear;
the sun was going down, and
there were no houses near.

Such a strange voice,
whispering out of the ground -
familiar, though it seemed
unearthly, utterly profound.

Such a sweet voice,
twining my cavern ear;
a vine for water jars, when
all the wedding guests are here.