Showing posts with label Minerva. Show all posts
Showing posts with label Minerva. Show all posts

2.03.2020

February, face-to-face




VERTIGO-CURL

It was a night of misty melting;
Hobo, the boho, sawed
through his dark glass so
in old St. Paul.  Janus was hinging

everything on sister Sue’s nag,
at the racecourse (Mordish
Hippodrome) – his wish-
ful thinking left him holding the bag.

The sky mottled gray, like a blurred
chessboard of dirty snow.
An alleged RI rainbow
filtered through Amina’s pocket (mirrored

Pocahontas), while a Balkanized
cannibalism consumed
the demos, knocking Sue
Mixam to the maximum (paralyzed).

Irma admired the Emir’s muscle
from her stolen distance.
In that mossy manse
with her ear to the hearth, the hustle

all over the earth seemed a triangle
built by Souperior Deo
for a bonfire canoe
– his own, by Odin’s kayak!  & to bungle

it was Man’s bad gamble.  Sal
Miniato & Silo
Paennim could tell you
as much – ‘twas comet Groundhog’s tail

                        *

after all.  So they went eel-gathering
all over Galilee for that
matter of Bretagne, mate –
the official King, along with his blathering

& corny Maid Minniver, his lovey-
dovey yaw-way L-vessel.
She would sail through hell
for old Ossifer Osiris – hand-in-glovey

with him, all the way!  Ecstatic Itasca
purled in the tiny whorl
of her Vertigo-curl,
like a Topsfield spanner in Alaska!

She was very moving, that sheepish yak
shellacked in the clay.  Like
an emerald in the smallest tyke
of a state, of all states – the Union, Jack!

She dwelt in the heart-hearth of Odd Eddy,
looming through mystic slips
like Evangeline E. Nilegnave (skips
across rocks down Jeannie’s Mississippi);

like a raven over Neva, like Anna
acting the dove in our eye
– is you serious, Rus?  Why
risk ice for Osissyshipiris?  In Louisiana?

Hobo says, I see our sis Lady Liberty
surge like Old Ironsides
through the fog, on this Ides
of July.  Let’s go find her, Henry.

02.02.2020

3.21.2019

Ravenna Diagram Reading Guide : #2

Here are notes to the Ravenna Diagram poem "Lunar Corona" (p.4).  This poem also is not posted to the blog.  (See previous post for a link to the physical book.)


RD READING NOTES #2

“LUNAR CORONA” (p.4)

Poet seems to be confronting enigma of the poem itself, his own work-in-progress.  City of Ravenna, for long a remote, neglected backwater, is presented here as mirror-image of poet’s own solitary endeavor.

“Brown leaf... my neck of the sea.”  : poet worked for decades at Brown Univ. Library in Providence, RI – his “neck of the sea”.

“picture a forlorn cathedral...” : many such for many centuries in Ravenna

“Rothko Chapel” : first of many references to visual art in RD.

“gray memory... wheel of silence” : see Jasper Johns’ works in particular

“Osip’s selva os” : linking Dante with Mandelstam.  “selva os” : dark wood (see opening of Divina Commedia).  Os – short for Osip – mouth or gate to his own inward wilderness.

“Consul’s barranca : the ravine in Malcolm Lowry’s Under the Volcano

“My one and only... speechless trumpeter” : Chet Baker (another suicidal artist)

“Remote... (sans crown).” : Dante, buried in Ravenna, lacks the public bestowal of a laurel crown from his native city (Florence)

“flies / who?” : haunted Ravenna visited by owl of Minerva/Beatrice (wisdom)

“shady rainbow” : a transmutation of the purely subjective (“blind”) colors of the “personal Rothko Chapel”

4.19.2017

J. Fisher King



WHAT CHEER

April rain soaks the riverlands.
The cottonwoods are green
with a mossy sheen
(a milky spray).  Giuliana understands

her little boy’s harmonic joy,
winding up his yellow
gyroscope (so
imperturbable, this balance-toy).

Ravenna sifts backwater Time.
The hollow tock of wood-
pecker, carving a shed
for screech owl (minima sublime,

incognito).  Little gray on gray
tree-rings of Okeanos –
oscillating Knossos,
Minerva-maze.  Flute-bird (in clay).

A copper Jonah, lifted from the well.
Dusk-rose, Venusian.
Seal of the Son of Man
like Hamlet’s ring, in wax (fell

Icarus, from labyrinth
– the ship sailed on).
Trials of the paragon,
the paradigm.  Blue hyacinth

of Shaker spirit, trembling
Will   I am
Alpha Omega   home
in my petroglyph   assembling

              *

light stars   on the horizon
Thunderbird ghost-
dance   round pivot-post
of early souls   lifted from prison

At dawn in Providence, the light
gathers gold   atop
the dome   What cheer,
Netop   the independent soul   bright

spear   at petrel summit of
this Camelot   simplicity  
a brave’s priority
to choose the good   be led by Love

J. Fisher King   Ancient of Days
as it was   upon a time
at the beginning (lame
limb   violence bears away   always)

& the smile of quiet eyes & lips
the canoe in the shadowy
garage   Ferrara iron
burgeoning almond   Natasha limps

toward her vault   in Magdala
Gesthemane   April
umbrella   of good will
the given Earth   the rose mandala

a fingerprint spiral   of gratitude
Thanksgiving feast   soul
liberty   constancy   whole
serene   uplifted   Rhody-rood

4.19.17

3.22.2016

Venice - Rimini - Ravenna


BLUE MARBLE

The lattice-work of Ariadne,
barely (in my crepuscular
History Theatre) there.
The river flows on, over yonder –

Eridanos, Mississippi, Po –
moving past this osier
excellence of rare
dear Dr. Wise.  Minerva, Virgo?

Beatrice, Julie Littletree...
Maggie... Miriam
of Bethany, or Bethlehem...
limpid over hopscotch Sally

gallivanting crost her vaulting
Paradise of glimmering
frater Pantocrator (wing,
knave, to that sheepfold ceiling).

Meanwhile my double creeps along
like Ezra the Venetian
Blind, touching the stolen
Rimini passage with an aching

brow; beyond his haunts by the canal
& sibylline bone-staves
Franciscans hid in caves,
a living shepherd leaps the wall

(disguised by Ariadne’s woof).
These corridors are spongy
depths.  So take the plunge –
blue marble veins Vitale’s roof.

3.22.16