Kasey writes about the dumbing-down of poetic syntax & thinning-out of tradition among contemporary poets.
In terms of getting a perspective on the contemporary scene, these phenomena (along with, I would add, the loss of "depiction" or mimesis among the post-avants, which I've been harping on here) seem more important than the supposed divide between mainstream/experimental or Quietude/quirkitude.
But I'm not proposing another critique based on badmouthing. Let's look for the poets who do rediscover & synthesize great "finds" from previous poetic eras.
It's not a matter of stylistics alone. It's recreating & reliving something perennial, having to do with the immediacy/presence/role of poetry in human experience (both individual & collective).
Am reading John Latta's & Dale Smith's engaging table-talk in conjunction with these pronunciamentos.
12.12.2003
Labels:
Dale Smith,
John Latta,
Kasey Mohammad,
nowness,
poetic schools
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