your whiskey mule

IRIS-ARCH

The bulb in a wild Chinese lantern

is a bright orange berry,

edible, tart (very).

Little octagon amid the fern-

pine forest, summer Halloween

memento mori; lamp

in Thanksgiving pumpkin,

blood-orange earring for a queen.

My cedar gazebo in the rain

magnifies your painted

facets.  I’m your slanted

saint, beaming gray Bretagne

matière, like old Guillaume d’Orange

in his gelato-cool

Gellone prayer cell –

the armored ape (‘tis passing strange)

grown peaceable & rocky-mild.

Repentant berry-man

in shady homespun

camouflage (as orange span stilled

leaping crag to crag – a frisky

beggar-stag in Frisco

Bay).  My Lady, O

high-hearted votary!  Your whiskey

mule I’ll be – show stigmatized

tattoos you needled through

cliff-jagged river-scars to

radiant Pacific blue... baptized

                *

in Minnehaha Falls – by Manitou!

Her figurehead (surmised

miraculous surprise)

bobs like green fiddlehead, unfurling You!

Blue-green pine haze of Tian Shan,

whose snow-cone peaks

harbor bright lightning streaks

& pure transparency of oxygen...

be like her molten meteoric smile

my natal cog upon

whose wheel of rose spun

hurtling through light’s peristyle

into galactic congregations

sharing pain et vin –

Melchizedek’s Come in,

my wounded daughters – prodigal sons!

The berry, man, the berry lives,

though crypted in the cradle

of an origami grail –

sun of Manitou, sum of beehives!

That copper moss-green Lady

in the harbor lifts her torch

as an intelligible iris-arch,

so read the sign : her rainy-shady

smoke-signal, pine-scented candle

of a little tree – her fiery

omnipresent Amor, mirrory

agate Agape, all blumen (mandel).

5.17.17

cold reflective casket

NEGATIVE AURA

They’re readying the great Webb Telescope

to spy on deepest space,

remotest time; a Falcon-Ace

of 18 hexagons – unfolding envelope

or massive sunflower of minstrel mirrors,

golden Land o’Lakes

lenses.  Infinity takes

a very cold reflective casket (yours,

Ophelia).  Meanwhile, down here below,

some Leopardian teller or

Poe-boy bookseller

must trace Columbian fall of sparrow

into bleakest night, last

trumpery.  O quintessence

of hollow volume!  Hence,

3-Card Monty – hateful guest!

As if the door to honey-milky

Providence were locked,

foredoomed.  A thousand shocks

in sovereign succession, so quickly

hammered to an Irish skull...

Earthquake, heartbreak.

Ophelia is in the lake –

my center sinks to muddy soil.

Sun gleams in fireplace of camera,

her little room on high –

her lampblack like a sty

in prism orange (strange negative aura).

11.22.16

on San Francisco's day

ANGE D’OR

How quickly the tiny silver hearts

of the cottonwood turn gold.

In honor of the sun, grown old

now (down where a brazen stream departs).

Franciscan metamorphosis –

leaves drifting on the wind

bring Hobo back to mind

their magnitudes, their endlessness...

her cosmos full of smiling shapes

detailed by carpenter,

who shakes the roof of winter

into a trillion dazzling ice-capes.

The scarlet & the royal blue

he doffs, along with his

armor... naked he goes

into the plains, Ti sta seguendo.

Imperial purple violets

are his insignia –

his Tauromachia

a simple tread (love-knots

from Ariadne’s labyrinth).

A rusted railroad bridge

over the Western ridge

turns orange... Guillaume’s absinthe

goes green... out of the grey cloud-

matter whispers down

a ring-dove’s croon (your own

ange d’or) – original shape-shifter God.

10.4.16

like Don in Key West

milkweed palms

DOUBLE-DECKER

Hobo lounged by the great gray Ocean

River, his old hide detached

a little from his mind,

like Don in Key West, his one-

time winter host (at the Q Motel).

Distanced a little from the

whitecaps, red & blue,

that molder to a stucco frieze of Hell

sometimes.  He remembers wild violets

that peek beneath gray toes

of an elder copper beech, whose

crown shades Providence; those roots

drill deeper than the black & white

of shaky party platforms.

Down beneath worms

mining resentment & indifference, the bite

of greedy centipedes, the slugs

cold as a winter street

in Minneapolis, whose neat

chewing fattens themselves alone (bugs

do not think about their neighbors).

Whose murmurous gray arms

have framed the milkweed farms

of metaphysical Hope, that anchors

Roger Williams’ canoe –

Love’s almond chariot

that smiling Faith built

out of flocks of can-do

monarch wings, green palms

circumferencing the gray

scallops of yesterday –

twin limestone radials (emblems

of spousal harmony, e pluribus

unum).  Whose tap sinks toward

the center of the gourd,

the hearth Love stokes, wells tears...

& where a voice from her grey mirror

sang in Hobo’s ear –

Behold the Platonic Year

revolve at last, aboard my double-decker

Greyhound!  When the game of suits

& spades & royal clubs

gives way to hearts purple

& ruddy diamonds – twin 52s

orbit an orange origami octagon,

one Chinese lantern, standing

in the night garden – bring

Hobo to the table, then!  It’s done!

He pondered pumpkin murmurings,

& mooned there, by the muddy

banks.  The breeze of poetry...

only a feeling (sighed).  Our burdenings

borne by that humble muse, whose trust

in some deep loving cloud

grey Manitou’s abode

will wave back (Noah’s buoyant crust).

8.15.16

Hoboland

October through a giant copper beech

The day approacheth, just a few weeks from now - I must be leaving ye old Providence, heading west to Minneapolis.  Walking around this windy overcast morning - gray skies, gray hair, gray world - thinking of the bark on a great gray beech tree, & the gray stone of churchyards, & the grey-eyed wisdom of Athena-Sophia (you might say)... all these sempiternal things (you might say)... & of Jasper Johns' gray series, & of the strange old gray painter crouched in a gray streetcorner, in Antonioni's Ravenna film, Deserto Rosso (was it Dante?)... & so all these grays blended on this gray day, as I remembered Edwin Honig, who had so much to do with my poetry life here in Providence... & Edwin's terrific short poem "November through a Giant Copper Beech" (you can find it in at least one of the editions of the Norton Anthology of Modern Poetry).

Edwin's poem is about passing things, & things that are steadfast through time...

I got into a college (Brown) on the strength of some high school poems.  & stuck around here, writing on & off, for 45 years.  I just learned a few days ago that a poem of mine has been accepted for publication in that venerable American institution, Poetry magazine.  So maybe something at least has come of it all - so many wayward years in Roger's city-state, his "refuge for troubled conscience"!

PUMPKIN MAN

                                   in memory E.H.

This windy gray October day,

fat robin camouflaged

(hoodie?) in dogwood’s

rusty green... & then the great gray

beech I passed this morning (Slater

& Lincoln).  Elephantine,

primordial, in motion

still (old pre-Socratic critter)...

Edwin’s tree, his 100-branching

crown – the graying King

of Gray, still whistling

to Even Dove, down never-dying

Dolphin Way (led by leaping sparks

into Ravenna).  O patient

rude dream-sponge – intent

to wrestle safety shroud across stark

span! – your International Pumpkin Man

lit from within (warm

orange flame)... No harm

shall come to thee, my child – listen!

In a corner of a lumber yard

one sharp-eyed old saint

(framed by gray paint

cans, wagon) waves palm upward

toward the dark sheep-door, just

over his shoulder – where

one candle shivers fire.

An endless jet, he whispers.  Trust.

10.9.15

Beech tree on Slater Ave., Providence