bearing her true report

ROSE TATTOO

This tenderness of moss-green light

in the craggy oaks around

the Witch’s Hat (ground

bass of Sibelius, to finish right).

The hat itself a darker green.

Twilight of thunderstorm –

fork-gyring twister-worm

over holm oak in Oklahoma (lonely

scene, brooding).  That mounded Pan

by Mississippi, in Rez

graveyard... his enormous

Rabbit-corpus.  Heavy Everyman

skittered, skating on ice

unswift as raven-wing

(Po-boy, kow-towing

Whitman’s rust-mold Providence

under the night-shade of Cautantowwit).

Earth shaken by thunder,

horns of Minotaur – 

titanic labyrinth of lies (knit

by yon dull orange cur, on fire).

Outcast beyond these walls

Jerusalem worm-hurls

against the black hole (central pyre

                *

of Man’s propensity to murder)

– bearing her true report

like tattered gun-shot

pennant under murk of war.

These damaged epitaphs of pride

& shame (twin Boanerges

buried for albino

snow-contagion).  No crypt can hide,

no script elide.  Vermilion Thunderbird

wheels down to Red Wing

tallying everything

& reckoning each deadman’s ford –

plumb eye of blistered Galilee,

eye of the hurricane.

Out of the depths, someone

traces an arc of palm, for Henry –

skipping from the sea like royalty

(posthumous Davy for

posterity).  Sea-floor

of grey Jonah.  Ocean-reality.

From Queequeg’s casket, like Osiris-

tomb, the rose tattoo

(framed by two-man canoe

of Manitou) slowly rises –

sweet grail of sunken Paradise.

The maze of Ariadne

beams from Milky Way –

meek penny-glow (seal’s copper glaze).

4.30.17

as a Chinese jar

Bangladeshi New Year festival, Eagan, MN

What does it mean to assert that the poem is an end in itself?  In this season of crowds and anxious change, the assertion is controversial, maybe counter-productive.

To say the poem is an end in itself is a way of saying that beauty is an end in itself.  Beauty is self-sufficient; the poem is self-sufficient.  The poem justifies itself, merely as poem.  Beauty is what it is.

But what is beautiful about a poem?  We have a sense of what is meant by a beautiful face, a beautiful act, a beautiful life... not by any means always the same thing.  What makes a beautiful poem?  What makes a poem beautiful?

There are infinite paths in and out of poetry; infinite occasions for the right, the perfect poem.  I've witnessed them, heard them, countless times, in countless places, over the last 50 years.  So what is their common denominator, with respect to the beautiful?  Beauty itself shows many faces, many dimensions - but the common form, the universal factor is this :

the poem is an end in itself.

The poem is its own fulfillment : a kind of pleroma of time & experience.  A breathing, living, perfect, indestructible entity.

An icon, in other words.  A representation of something metaphysical - the transcendence of time, death & change.  A heart-stopping stroke of lightning.  A stillness still moving, living, breathing (Eliot's "Chinese jar" in Four Quartets).

This is the perfection of the poem.  Every poem bears some trace of it.

But the really confusing, paradoxical thing is : the beautiful is everywhere.  Poetry draws its materials out of the most ordinary, impoverished, grotesque, pathetic, banal, & recalcitrant places & episodes in human experience.  The metaphysical diamond is made out of coal dust.  & moreover : the coal dust itself is beautiful (the haze over the grubby railroad tracks, the derelict abandoned bleak junkyards).

The beautiful poem is simply a gesture toward the beautiful poem of reality ("the Kingdom of Heaven is in your midst, but men do not see it", chants the Nazir-poet Jesus).

A gesture.  A geste.  An act in words.

The poetry I enjoy & admire is steeped in an awareness that these perfections and gestures are already complete & finished for us.  Their presence is tacit and unassuming, but it is there : the work of the poets who came before.

This is one of the dimensions of the early 20th-cent. Russian poetic tendency known as Acmeism : an acknowledgement and receptivity toward the past.  Not a groveling imitation, but a sense of kinship - as opposed to the Futurists, who advocated a rejection of the past as a basis for the future.

There are no revolutions in poetry, because the beautiful is inherently integral.  It is a whole, a wholeness.  This is not to deny the validity of other kinds of revolution (political, social, personal).  It's only to say that poetry (as opposed to prose) is (ultimately, somehow) in touch with something beyond change, something perennial.  Rhythm, harmony, music... the beautiful.

Good to keep in mind during wartime.

Confessional blog post # 341

Greetings, fellow moles.  I've lost the habit of conversational blogging.  The old Brown University Library (the Rock) was my Alexandria, my table-talk slab : now I'm way out here in the high lonesome, like a rolling stump (off Highway 61).

Apparently we inhabit these digital knowledge-canals.  Robots remember things for us, bots remind us, etc.  I've gone out of fashion (about 10 years ago) as bloggentator (aka Mr. Potato-head).

Poetry shivers in the frisson of its immediacy, its grasp of The Cool - the shimmer of This, your slangy Now.  Behind lurks the power of the Word Itself - like an Old Master, like Big Daddy, with the moneybags (Universities Bank Here).  It Can Help You.  But the kids are nervous : that's how it goes (swimmingly).  The Academy of American Poets invites you to become an Associate Member (tote bag to follow); Poetry magazine hits monthly, like velvet lightning.  Jimi Hendrix reads us!

(It is really good, btw - especially the issue I was in, sometime last year.  Tonic verbs, with scattering of playdough... what is poetry, btw?)

I've lost, as I say, the hobbit of consternation.  Out of the gloop.

Still try to read books, now & then.  People may get the idea I've retreated into some kind of bizarre eccentric personal hut.  As John Keats once averred, "I am picked up and sorted to a pip.  My imagination is a monastery, and I am its monk."

Yet my day is very scheduled (horae) - what with family industries, managing various major national crises, reading parts of a book or mag, and writing my Answer-To-Dante Poem...

As a matter of fact my personal mental space is so "Middle American" it's become exotic to many.  Recently I was subjected to a biting, sarcastic FB attack, by the accomplished young poet Phillip B. Williams - I guess because he felt I was some kind of Neanderthal.  Probably a generational thing (young guy knifes geezer).  You have to wear a digital sign on your head now to explain what appropriate medicines you are currently on in order to make you immune to the wrong purifications.

Am in the middle of this volume, American Covenant.  By another Philip - Philip Gorski (Princeton UP, 2017).  See, I can still find scholarly tomes!  This is a good one.

Do you know the difference between despotism, liberalism and republicanism?  Are you aware of the "civic religion" of These States?  Are you conscious of its binding presence in American history, and in your daily life?

It's a kind of hagiography, or demonology - from John Winthrop through Hannah Arendt, H.L. Mencken, W.E.B. Du Bois, John Dewey, Reinhold Niebuhr, Martin Luther King, Lincoln, the Federalists, Roger Williams, many another.  Along the road you receive a blast of enlightening rational political science, theology, sociology... sorting to a pip the various strains of religious nationalism, radical secularism, libertarianism, neo-liberalism, democratic republicanism, etc etc - aside from the special orthodoxies of the Two Major Parties - which have framed the debate about American life since the Primal Dawn of Roger Williams' Canoe.  Umpt to Trump.

Gorski is searching for the spiritual-intellectual common ground : the forces moving American history.  I'm finding (right now) his commentary on Hannah Arendt quite stimulating : her concept of the "public happiness" - as she describes the revolutionary origins of the United States - having to do with a very concrete experience of democratic participation, a path to finding oneself-as-citizen, something wider and more liberating than oneself-as-private (economic) individual.  She gets at the root of the necessity for self-government, popular sovereignty : that we become content, energized, & deeply happy, as we engage with our neighbors on a basis of equality and justice.  Thus she redefines (or rediscovers) the Founders' meaning of "pursuit of happiness" : it's a public, civic thing.  So she asserts the authority of the forum, the commonweal, as a counterweight to merely private interest, the seductions of predatory Mammon (pure money).  Reading Gorski's interpretation I was reminded of my halcyon days with the VISTA program (established by JFK - the domestic Peace Corps) so long ago : community organizing for civic engagement, empowerment (by the scruffiest neighborhoods).

There are many sorts of poetry.  I'm following up some very ingrown toenails of personal obsessions, with me since the early 1970s (that's almost 50 years ago).  Problems with Shakespeare, Bible, Nabokov, Mandelstam, Akhmatova, Hart Crane... Pound, Dante, Stevens, Eliot, et al...  - what to do with the Epic Poem?

I am aware that just because they are old obsessions doesn't mean they are interesting.  Coolness is a kind of polish - lemon wax.  You have to be able to speak to the moment... perhaps I've lost my touch, my Lemon Pledge (if I ever had it).

Too late now, I guess.  I'm an inveterate Blog Monster.

haunted scent

ANCIENT SPRING

My soul, like a woodchuck hidden

in Old Charley’s Oak,

must be lit by a stroke

of lightning even to begin –

like that gold spearman on the dome

in Providence, icon

of limpid Everywomban –

Williams’ independent spirit, come

to revolve like Gabriel Crozier-Torch

around his merry Morning

Rose (see Alighieri’s singing

sky).  An Ocean Island (search

Queequeg’s tattoos).  A green Tahiti

lapped by peaceful Ocean

River – Night Sea span,

gold-threaded geometric Ratio,

squared rail-split Israel rondure

(Galilee of Lincoln-

logos, all for one

& one for all).  O armature

of lovely Law!  Fleet safety net

bracing each breathing sheep

with her own fleece... keep

dangling in catenary grace!  Yet

lift the lilies of your haunted scent

until the spirit in us

brims past avarice,

hot pride – guide to your tent

                *

under Polaris & the prancing

Bears, where free children

ripple the utmost common

well.  Like Addams, balancing

book-learning with hand-work,

art with science, freedom

with obligation... some

justice for the beaten fork –

the disenfranchised, cheated poor,

collateral damage

beneath our idol-image

(smoking low sulfuric Boor

of plump kin-pride & greed).

So Hobo Henry muttered

by the mud-brown flood

of Mississippi river.  Honey-mead,

sweet sea-salt air of tamaracks...

the vaulting spire of Dante-

tracks filter the ray

that flies orthogonal – strikes

Roman iron with Hebrew vine.

Gold thread (Apollinaire’s

trompette marine) bears

light into the grain combine –

sun through the moss-green shade

above the ancient spring

(a Restoration thing).

So in a Maker’s aye all things are made.

4.28.17

cradle of rain

RUDE EYE

Grey cradle of April rain.

Your riverine Nazir

or holy fool was here,

rounding his moat with a vision

of metaphysical hope.  Song

like Mendelssohn mandala.

Smallest coign (voilà!)

of the realm – just one among

many, Penny, to kingdom come.

Copper wrung with fire,

like Cassini in pyre

of saturnine canons – Love’s hum

somehow redeeming them, each little

statuette of soul 

freedom (the cosmic equal

sign).  A dab of mud & spittle

might reveal the night garden –

snowflake octavo

revolving over Buffalo

(holm oak to acorn, evergreen);

the whole note of the Nazarene

squared & shaved round

like some lost-&-found

locked-room problem – Tom the Twin

tying twine into a knot-cradle

of human & divine,

of Jew & Syrian

(or Greco-Roman republican).  Ladle

                  *

of Milky Way – the Twin Bear Cube

softly circling,

a tiny light unmoving

(port for Magi-King & rube).

The light strengthens as you climb.

Climb toward the broken

seal, the torn silken

veil, the split seed of our primal crime...

ecclesia & synagogue divided

in the keystone arch

as airy lark from larch

(twin siblings from earth-shaded

sky).  The seed is the salty word.

Out of the undivided

Ocean-Jonah glided

magnanimous eagle-wings – soared

into Benedictine Aesop-cells

from Africa to Memphis,

Iowa to Mississip –

aerie of equality, wells

of everlasting life.  That vermhurl

knot, spliced by an outcast –

Pushkin-slips so fast

the prophet scatters into whorl

of matrix-hurricane.  Rude eye

on Zion, Washington...

Heartbroken Hart (one

eggshell mason’s crooning sigh).

4.27.17

Tom the Woodpecker

LAST NIGHT

My muddled speech, this tangled veil...

like these mingled branches

of an oak triad – spring’s

catkins green-gold (skylight-pale).

Crane’s last night in the dark Gulf.

He teeters toward the sea

aboard the Orizaba –

absolute zero, Abba’s Tower... wolf-

shark mouth of heartless Minotaur.

Cracked glaze of Manitou

might double-cross you

into salt-grey void, pegged charioteer!

– while Hobo ambles blind toward

center of the maze.

Cassini, in a crystal haze

hugs close the knife-beak sword

of Saturn’s rings.  A Saarinen-

style ark, wind-surfing

into her 7th ring

of fire – fuse-molten onion-

dome (midéwé Mendelssohn).

Walk through mandorla,

hums submarine 484...

Specific massive planetary Galilean

gravity here clusters in a coal-

black hole of Memphis

diamond (direction 6).

At marrow of the tree : oak-bole

                 *

Thomas the Woodpecker ate

into a little apostolic

room.  Darkness so thick

only a Thunderbird might penetrate.

This quipu-knot of seared wood

is double-bound (veiled

mystery, inviolate).

Only the Nazir-dancer Ghost could

walk through walls, only the Twin

could feel his wounded palms.

As the film rewinds (alms

for a morning soul) a theremin

spooks everyone – the living flame

of Beatrice-Juliet

flares orange-emerald yet

through black flags   of the same

bridge   where Columbia flutters   red

white blue   & Jonah

(azure   jasper)   joins

wheel with salty wheel   the dead

rise   from their graves   the poison

scar of scary Scriptures

cured   with ironic sutures

when the Republic   of the all-human

makes mutual amends   in welded

fire   Saturnian arc

of painful truth   mark

twain   the river-depth   Elohim healed

4.26.17

find the unicorn

HUNGRY RAVEN

Fear of another is fear of death.

Instinctual reaction

to deadly situation – a

primitive contagion, or jaguar teeth.

So history’s abacus shuttles

red & black, or blue

& green... just for you,

little black-&-yellow Moth of Battles.

These stately river-cottonwoods

flare mossy banners

now; Hobo’s many spanners

choke the bridge-works.  Shaker bloods

from Puget Sound redeem themselves

with help from epileptic

shaman-chants... pep-talk

of buried elderberry souls (elves’

yodels, echoing their green on green).

The Word circles like

a hungry raven – pike

or spearmint (Mermaid Queen).

St. Louie, with his trumpet, now

brings up the nondescript

rear-guard.  The script

calls for Ezekiel, or sunflower –

Iris in the limestone cliff

curls into Unknown

Soldier.  Soddy Brown

they called him (working stiff)

                 *

whose star skims from the evening murk

anonymous Firebird

or twinkling agate-shard

in snarl of spiral Melville shark-

tooth, spouting salty balderdash

crossing the Portland bar

– whose thunder-straits are

worse than Frisco Bay mish-mash.

O the gray shade-vault of chilly Chartres!

The golden limestone cave

framed with architrave

of ancient enmity – Synagogue-martyr!

The fractal fault-line of an old polemic

circulating ossified

eddies of Johnny’s gospel

spleen... (tragic & epidemic

unintended consequences).

O the smiling Word

chants resurrection... heard

in Ramah & Ravenna, Rimini (Ez

kowtowing to voracious Rule).

Crossroad strictly abstract

for everyone – the trick’s

to find the unicorn (a holy fool

who paces like St. Francis through

the prairie steppes).  Someone

calls you... homespun

Natasha, limping toward the sun (ey yo).

4.25.17

cosmic Sing-Sing

WHEAT-BLADE

Gold catkins dangle from a twisted birch

like those heavy earrings

Empress Theodora strings

into mosaic (grey papyrus bark

afloat above Ravenna choirs

of San Vitale). The canoe

of state is lighter now –

only a woven fingershell or

chorale, a threadbare catenary

smile strung like a veil

from cosmic pole to pole

(north, south... from sunny Sydney

up to autumn-grey Paris).

There’s no place like home.

Kansas... or Burchfield foam

of leafy wind, of writhing tree...

unheimlichkeit unleash of slings.

Lincoln... King... JFK.

World-axle with Ojibway

wing-nut (rust of bee-stings).

Hexagons, unraveling.

The 6 paths of Black

Elk – diamondback

seal of universal Spring

shedding bright tombs of tattoos

into a gathering

of cosmic Sing-Sing –

prisoners in liberation blues

               *

& grays (old Frederick Douglass

understood the sinuous

ways of shifty US).

Let Egalité ring, sang Liberty lass.

So the cedar gazebo of the Word

(a flexible oracle

or circular coracle)

swims in a spiral toward the absurd

happiness of the whole creation –

the chaste eye of Union

at the heart of the onion-

dome of humanism (egalitarian)

welds in its molten planetary core

the future of affectionate

recognition.  Incarnate

octopus of Chinese lantern, your

Guillaume d’Orange Franciscan gate

frames solidarity

amid ecstatic charity

whorled in a fiddlehead agate

or Ariadne labyrinth

(primordial Spring).

Blue Vermilion thing

with stubborn terebinth

or almond flower (ancient

indomitable people-

bloom) – tall steeple

wheat-blade, waving, lambent.

4.24.17

J. Fisher King

WHAT CHEER

April rain soaks the riverlands.

The cottonwoods are green

with a mossy sheen

(a milky spray).  Giuliana understands

her little boy’s harmonic joy,

winding up his yellow

gyroscope (so

imperturbable, this balance-toy).

Ravenna sifts backwater Time.

The hollow tock of wood-

pecker, carving a shed

for screech owl (minima sublime,

incognito).  Little gray on gray

tree-rings of Okeanos –

oscillating Knossos,

Minerva-maze.  Flute-bird (in clay).

A copper Jonah, lifted from the well.

Dusk-rose, Venusian.

Seal of the Son of Man

like Hamlet’s ring, in wax (fell

Icarus, from labyrinth

– the ship sailed on).

Trials of the paragon,

the paradigm.  Blue hyacinth

of Shaker spirit, trembling

Will   I am

Alpha Omega   home

in my petroglyph   assembling

              *

light stars   on the horizon

Thunderbird ghost-

dance   round pivot-post

of early souls   lifted from prison

At dawn in Providence, the light

gathers gold   atop

the dome   What cheer,

Netop   the independent soul   bright

spear   at petrel summit of

this Camelot   simplicity  

a brave’s priority

to choose the good   be led by Love

J. Fisher King   Ancient of Days

as it was   upon a time

at the beginning (lame

limb   violence bears away   always)

& the smile of quiet eyes & lips

the canoe in the shadowy

garage   Ferrara iron

burgeoning almond   Natasha limps

toward her vault   in Magdala

Gesthemane   April

umbrella   of good will

the given Earth   the rose mandala

a fingerprint spiral   of gratitude

Thanksgiving feast   soul

liberty   constancy   whole

serene   uplifted   Rhody-rood

4.19.17

paradise thirteen

ELEVATOR MATRIX

An eagle gliding motionless

& swift under the rain...

a message from the sun

outside my window.  Inverness

beyond the clouds, it says.  Dauntless

Dante beheld a double wheel

like Charlie’s Wain, meal-

sifting Hamlet’s dead-end eddies

into Ariadne’s crown of yellow

maize (Paradiso XIII)

at the center of the sun;

Dominican, Franciscan, we shall go

along with Beatrice too,

into that Minneapolis

where incognito Jesus

is a twin St. Paul (aboard canoe);

from White Bear Lake to Resurrection

Cemetery, we’ll unbury

Berryman & Mary

Magdalen right now – a Raven

intersection at Jonah & 4th,

a Jubilee bird-fest

out of the cosmic nest.

Jerusalem is raying mirth

from every corner of the universe;

the gray hide of a mule

hides one God-Jewel –

gold-sprinkled fiery agate-cosmos

      *

spiraling like fingerprint

of Everywoman, every

man.  The ordinary

ferris wheel begins to glint

with light most cosmopolitan –

green emerald of soul

freedom (personal

live-oak of Okeanos – constellation

of the Showy Lady’s-Slipper).

Be careful how you tread

this living woods of dead

leaves, sprouting crocuses – your

difficulties are not partisan,

your cures are neither red

nor blue.  The crownèd head

of King George, or the plowman

trampled underfoot by Mammon,

or the young stranger, mortally

undone by poverty,

her kids tossed into pauper’s prison

by our favorite mythologies...

we’ll mingle in the great

grain elevator matrix,

where the brightest of celebrities

& most anonymous of soldiers

meet.  Before the stars fall

through the vortex – Love

wingspans our last full measures.

4.18.17

the tender green

INDIAN GRAVE

The tender green fans out in sprays

now, over the trees

by the river.  Hobo sees

a little rise, like an Indian grave (Scythian?)

through cottonwoods – a salience.

Here Mrs. Sippy Nile

meets the 4 Grail

streams – Po (Eridanos),

Avon, Neva, Voronezh.

The raven is a dove

by day.  The paths of love

merge in a lattice-nest (collage

of gray clouds in circumference

of radar palm) where Jonah,

from the salty eye

of hurricane, flutes wholeness

(restoration).  My simple stick man-

woman, caved-in

charcoal Job, has been

the universal algorithm – toon

of Empire or Democracy, depending

on the rope they knotted

(quipu linen, rotted

on the mountaintop).  Swaddling

kid, Vallejo baby.  Lincoln

logs cradle the guest

fresh from wilderness

of ruin (arc of Constantine)

               *

lit by milky Okeanos

whence a black stone

fell, judged by no one –

Petersburg akme (nostos).

Impenetrable wisdom of

Columbia... the dove

of liberty, hove-

to – an alien corn-trove

in that placid Atlantic harbor,

lifting her copper torch

of caritas (scorch-

welded like a bolted nut) over

the twinkling arbor of a bent planet.

The nations tremble, the old

Winnebago starts cold –

rumbles into mobile mercy-net;

Thunderbird circles to Red Wing

becoming human being

in the mirror of Sing-Sing

(bright angle of prism-thing).

She was woodpeckered to a tree

like some Raven-Bluejay

out Oregon way.

Crossroads of simplicity –

a monarch butterfly in Mexico

could not have sung better

with keel o’ green cedar

or almond in Quauhnahuac (ey yo).

4.17.17

in the still life

OKIE CHAIR

In the still life, when the sun goes dark

the absinthe green on the old

wooden door (color of mold

or holm-oak acorn).  In the park

by the lake, the sparse grass wakens

to an April sun;

& you remember someone

battling the ice (forsaken

minstrel-king, nazir).  A buried man.

Some twiggy unknown soldier –

stranded black-gold heir

thread-spun beneath Stalin hardpan.

The butterfly’s a Morpho blue.

Blue as Siberia

in winter, da (selah).

Listen : Quartet 15.  For you,

Nadezhda.  You, Natasha.  Through

& through.  A nature morte

très fort et dur.  Part

rags, part soft shoe, Corporal Goo;

part forever, like Francesco

dropping all his duds.

Back to his father (odds

even he’ll marry her, you know).

There was a war in heaven, in

your heart, your mind.  Jesus

the Rabbi snowballed thus –

blackballed in Memphis – sharkfin

                  *

razor between Hell & Paradise.

They call it history –

a dime store mystery

(Elsie in profile, in an oval vise).

It’s only poetry.  Someone will pay

for it, eventually

(Harry Hawk, maybe –

Our American Cousin).  A splayed play-

stub (Miss Understanding

Under Study) stuck

on a crossbar (Buck

Stops Here).  Eagle Has Landing.

Davy in the Detail.  Film roles

for everyone – all which is

inheres... Macbeth, Cortez....

Universe is empty (full of holes).

Must be that woodpecker, prying

for a worm – the dry mast

puckering (will never last)

to kiss the lightning (scrying

from a crow’s nest now, Cautantowwit).

Whittling toward Arthur Street

in Mendelssohn (complete

symphony to be determined).  Sit

down, Henry, in your Okie chair –

the nave is full of light.

Acorn shines bright.

The Rite (à Paris) is a sweet nightmare.

4.14.17 

green buds are just -

TROMPETTE MARINE

Giuliana opens a ceramic shop

on Ravenna back street.

The “Old Man of Concrete”

surrounded by gray pots of slop

paints himself into a nearby corner;

Giuliana’s little boy

paralyzed (Guillain-Barré?)

plays with his yellow gyroscope.  Her

lover mopes, lost... (ambivalent

professional).  Red Desert,

Deserto Rosso.  Hurt

blooms in the sea-salt spring (Lent...

Easter).  Lofty kind eyes in shadowed

stone (Pantocrator, &

Theotokos) still stare down

from hollow warehouses (A.D. 600).

Green buds are just emerging here,

Psyche, Persephone

in center of the country

(Center, N.D.).  Land mass, a sphere

from sea to sea (theoretically) –

a glop of potter’s clay

in solar roundelay;

Palm Sunday to Good Friday (bloody

travesty, Ford Theatre).  Then

the turtle at the finish line

emerges from the brine

reborn – Rabbit in acute cartoon

(Metamorphosis at Minnaheehee

Falls).  Dante, Beatrice

step through the sun (hey

ey yo) astride Dakota prairie

hoisted on stray lambswool thread

like Vallejo’s poncho

(wheat-gold Paris gaucho-

robe)   or galactic Temple shroud

woven from smoke of calumet

& Camels   (veteran

Guillaume   a crimson crown

swathed round his beaming pate)

so Theseus & Ariadne   circle-dance

the gold pavement   grey Chartres

                   *

matrix   womb of silence

&   clear light   joy of the makers

On an upward path, the labyrinth

becomes a spiral, &

the Minotaur’s command

the envy of a shadow (absinthe

green).  Your quipu-knot records

an anchor weight – the rings

of one stone, tempering

the river-sweeps... only soft words

like flute-sounds, scattered seeds.

Stricken Giuliana,

limping hopeful Natasha –

Nadezhda, too – resilient reeds

walk in solemn palm procession

round the sea-wall

& the sparse green hill;

the bald truth of clay   passion

& its aftermath   high keening

sea-bell   through   seraphic blue

the ultramarine   (Pacific

hue).  Jonah   always coming, going

always being born   out of the waves

of infinite agape

lifts old sails   away

for Columbia   & Liberty   she waves

the light torch   over homely harbors

mangers of refugees

fleeing plaited Caesars

(their cracked saucer seizures)

as the integral of   furnace fiddleheads

the deep-sprung source

of Everyland   smokes Morse

code goodness   penetrating sadness

like undying Hope   into the arms

of Osip   or Goldie the Finch

your friend   in the clinch

of Hart’s woe   John’s alarms

the desolation of a lonely child

a hearth-star   shines for her

the safety net   saves her

Love blazes from the center   wild

onlie-Begetter   mild   trompette marine

4.13.17

meet & join

personal compass of Roger Williams

FAMILIAR ALMOND

My snarling yarn snowballs thistle-

clumps of confusion into

the midmost of the Slough.

Incomprehensible green missile,

towing kisses from that acrid swamp

in Mendelssohn (whence

we dragged a canoe by bare

feat, Heidi, home – only to dump

it in the permafrost garage).

There are many jinxed

men buried in there, minx.

Path P was a chi-rho camouflage –

X murks the spit (twin cousins

rustling for windy blessings).

Oaky, salty Invernessings

hone your eye into a baker’s dozen –

thirstings between gold floor-leavened

loafers & a 14

April funeral (foreseen

but not seen-for).  The scene’s unheavened.

Then for heaven’s sakes, let’s have it,

Lucky.  Twelve’s the number

of twin seraphim (Mary

& John) & Jenny’s lost mint (Juliet)

– the mother rising in the leery

graviton – the hamlet

feeling mighty chary yet

(Blackstone on hold, with Roger steering

                     *

spins his compass toward the iron clearing).

West, Virginia, west

to Vermilion... yon felix

nest.  Gone dragnet spearing.

& yet the guyline mumbling

of poetry retrieves

a sense of limpid leaves;

the universal shuttling

of loom with lambent seraphim

conceives an agate diamond-

crystalloid familiar almond –

6 paths of Dakota Slim

remind the mind of Eagle-Heart

(who reigns by thundercloud

of humble Jonah-bird

O sages in the Super Mart)

that everything says meet & join

in lattices of give

& take   Seek ye   & Live,

that honey-dome   of stubborn pain

intones   my cousin Juliet

great-grandmother Jessie

Ophelia   madre de Jenny

listen   a gentleness, O jet

of Mississippi water   sip & see

the ghosts come back to me

in Paradise   a little tree

of Jesse   blue   (a juniper, maybe)

4.12.17