where everything is born

GREAT BRIDGES

When summer is a woven synthesis

of differences, a music

of what happens, homesick

Hobo thinks of Providence – yes,

Ocean State – that tiny place

where everything is born.

Microcosm, on a horn

of sea-salt... on a wave of seamless

grace.  There dreamt his dream

of mater Giuliana,

in her moss-green llama-

shawl (Francescan almond-gleam

within Ravenna).  Dante found Christ

in Beatrice’s almond joy;

hypostasis in our eye;

omnipresence of the Holy Ghost.

That fusion in Jerusalem –

gemstone of solid air;

communion of river

& sky great bridges ravel, hem

by curving hem (triplicate

unruffled grace).

Traveling eucharist,

friendship seal... rose safety net...

personification (into human

rainbow) of a humble

kiss.  Gold bumblebee,

sweet Henry-awk... sunken, risen.

7.21.18

the axis of the earth

ACORN-DHOU

The river moving through the cottonwoods

inspires Hobo-composer

to exceed his Oeuvre

Clumpy-Cloddy in the key of C.  Buds

trace their roots down limestone crevices

to seek that cave-lake

where dark streams make

ripples in a mirror-image (Beatrice’s

triune goddess?) in a palimpsest

of light reflections.  Mother,

lover, friend... your sister-

dove.  Affectionate witness –

Akhmatova’s golub-golubyanka

(an undertone beneath

the granite banks).  The wreath

Natasha flung into Fontanka –

today an angel, tomorrow only a worm

in the grave... only a promise.

Mary, in her distress,

beholds the gardener beside the tomb.

Hobo digs deeper, down his own

dream-channel.  Almond

eyes... the veil of Isis

in West Branch... curtains for Henry’s own

Clover, in Washington (where Adam delved

while Eve spun vortex-grief).

Vertigo in high relief

on Henry’s charcoal Chartres – shelved

Synagogue laid low, below Ecclesia –

belies a Nazarene concord

older than Byzantine crossword

shaded by almond-Hebrew Bona Dea.

Keep digging then, my clod.  You’ll find

the key, within a boxwood box

where lies a bunch of keys.

A black Egyptian Queequeg pine-

box, layered with tattoos

of hero-griffins – figures

of hexagonal stars

that shine like golden bees... Who’s

                    *

there?  Out of the mirror-wars

of courtly kangaroos,

through shady fig trees

shines her diamond Southern Cross –

the double trinity of Black Elk’s

six-way sign.  An acorn

emerald, lightly borne

as crown of Restoration Day : melek’s

JFK : Zion’s Nazir out of Galilee;

spume-signal from an Ocean

State – whale-oil ensign,

anointed Son... clé-figured Charity.

That old medieval Paris of Villon.

Pigments of blood, limestone

& sky.  Stained-glass zone

of intellectual Aquinas-light – reason

& faith cross-braided, interwoven

in the jewel-box of Suger,

in the emerald sepulcher

of Wolfram’s wayfaring communion-

wafer.  Omnipresent grail

of equal daughters, equal

sons... Love’s universal

sea-supremacy – each heart’s high sail.

So the rod of Aaron blossomed

over Nile sandbanks,

& a bronze serpent yanks

all eyes to Hobo’s Bottomland

Jonah.  Out of that Okie Okean,

out of that Osage eagle’s

den, your clay-born angels

rise to foot their river-span –

a bridge of International Orange

pillared like Jachin, Boaz

in wisdom’s corny maze

of adamantine joy.  So rich & strange!

Whispered by the Sybil through

these gold oak leaves,

for everyone who grieves.

A comfortable acorn-dhou

                   *

down Nile, or Mississippi, weaves

her zigzag victor-wake;

from Jordan to Lake

Galilee, her circle rings the sheaves.

7.20.18

unbreakable chords

HUMAN ECHO

Your nostalgia for the aristocracy

of childhood, Vladimir,

I understand.  So here :

infantile tyrants bear it away

in sappy cerements of innocence.

Galla & her golden boy

& their brief beehive day

drowse in Ravenna, under silence

of mosaic stars; Dante too

sleeps there, still far

from his Firenze mère –

the milky galaxy of midnight blue,

his babble-realm of splendor-joy.

A fluent melody

pours endlessly

from thine ineffable benevolence, Blue J;

a spiral at the cave entrance,

an everlasting sign

of all Creation

(ceaseless, calm, majestic dance).

Those unbreakable chords of Mendelssohn

at the end of the trolley line;

the sound of the violin

lesson, the neighborhood of children...

& the shadow of the Thunderbird

in the immense oak tree

the dark green sanctuary

of Morning Star   dolphin-shepherd

                     *

out of deep-twined memory

by the cistern heard

rose-enfolded Word

out of Ocean’s fond   Jonah-infinity

Instinctive fright becomes aggression,

dominance abets revenge;

since long before Stonehenge

each weak scapegoat endures oppression

& the tantrum of the infant

replicated by depression

each political occasion

filters through both mob & tyrant.

But it shall not be so with thee.

I have no wrath, the Ghost

murmurs; I am the Most

High Heartbeat, mild Invisibility –

indivisible reply

out of the crystalline

& quintessential Union

at the source of Earth & Sky.

I am your human echo, come to be

among you, in my realm

of love, mercy, wisdom –

I am the Nazir, chanting out of Galilee.

& then I saw her, Jonah-Shadow –

wings extending over all

of Minneapolis/St. Paul.

Ghost-heart we feel, ghost-bird we know.

7.18.18

stone, water, light, fire

DOUBLE RING

The agitations of a stone thrown in the stream

make ripples that become

a smooth continuum

of moving wheels.  One Gothic beam

draws light through stone and water –

blending elements

into high bafflements

of rainbow glass, mind with nature

beyond nature, reason with wonder.

Agnes – her exacting threads

trace Ariadne’s leads

through wilderness of sea & thunder.

Grant – his strange & strict constructions

spin a decussated

dream landscape – fated

black dirt looming beneath confections

of late sunset West Branch foliage.

Why, then, this mirage

of images?  The poet’s rage

wells from embodied fury – & her voice

– Arachne’s, Ariadne’s – is mortal

as that scar-calendar

of dread Coatlicue

unsnagged by force from Mexican corral.

Her poem is cast-iron Poseidon-net

straight from the furnace,

thus : a human face

veiled by the smoke of calumet

                     *

morphing brute fraudulence to peace,

transmuting blank white

voids to violet

& moss-green habitats of paradise.

St. Maximus Confessor, musing

monk, articulated

in theory what unfolded

in reality – fusion of divine choosing

with human liberty in understanding,

in enactment, as the spirit

moves us : radiant

tangle of wheels into a double ring.

All spokes are joined there, in the personal –

as in a room near Golgotha

babble turned glossolalia

& tongues aflame lit one bright coronal.

The poet chants out of that mental fire

& dances like a Nazirite

her intellectual delight

inviting you & me to join the choir

around that altar of a rolling stone –

a living hearth-fire

of the Earth’s desire

for equilibrium, once we throw down

the Minotaur lodged in our hearts.

Malevolent violence & lust

& greed for dominance must

be renounced... & so the dancing starts.

7.17.18

wave-factor

ARBOR DAY

The wave-factor on a riverboat

differs downstream (or

up).  Rocking the shore

like thread of Agnes Martin’s Night

Sea.  & we are far from home.

Waves of corny grain,

of grass, of wheat... Main

Street.  Grant Wood’s metronome.

He lived four blocks from Henry Negus.

Farmer turned lawyer-

transportation czar

(bus co.) in Iowa City – is

my namesake (great grandfather).

Quaker-shlepherd genehaulogy.

American Gothic, see (flea!) –

straight from dry-humus bow-bent flower.

Arbor Day.  Planting families

of fanatics in the grass –

another word for pass

the ammunition, Grandma.  Crazies,

huh?  All-American.  Beyond

the scope of Scopes Trial,

Solomon... we’re all

afloat upon some stinkin’ frogpond

paddle-wheeler.  Gothic was light

pontoon (Jerusalem).

Grail-Sepulchre rim.

Gitchee-Pollen-Air, up & walkin’... right?

7.15.18

how to say hallelujah

OLD HAUNTS

The poem reaches like a zigzag vine

through thick vernacular

toward the actual here

& now (woodpecker in a pine).

Turbulent nation, giving birth

to glossolalia.

How to say hallelujah

in Osage, in downtown Fort Worth?

Don’t ask Dallas.  Some holy fool,

some mendicant small-fry

tried to catch Caesar’s eye

before that scapegoat kicked the stool –

you know the rule.  I’d’ve marched

if I had to.  The heat

made everything complete

hell.  Our very words parched

on our lips, like crackling cicada husk.

Some said he was coming back,

some just nibbled hardtack,

but all agreed – he could really busk,

back in the day.  Seldom was heard

a discouraging word, when

he blew that harp.  Listen,

disconsolate hearts.  What appeared

before you on the road to Emma’s

echoes again like dew

before morning – will do,

will do.  Old haunts of summers...

7.12.18

like spinning Jenny Gyre

SAFETY LINES

The late-May lilacs are long gone

but light grey limbs

& the green leaves rim

the grass with shade yet, absent one.

The sound of an ocean softly seething

in the branches overhead.

Is she alive or dead –

my sainted, tainted Juliet?  Still breathing

somewhere?  Imago or Imogen...

merely some ghoulish Ravlin-

Gouldash revenant, then?

Some Beatrice-crystal-Poe routine,

arising ghastly from dank ditch-ravine?

But no... a memory

lifts all azury

from sparkle-spray beneath benign

leap of wide Golden Gate.  Almond-

eyed sprite, a-whirl

like spinning Jenny Gyre

balanced on catenary wire... light bond

that ravels tout le monde... infinite

undisplaceable safety net

& cloudy calumet

confirming universal concord... so be it!

Grave knot that tightens less & less

toward infinite regress

of infinitesimal kiss

(minute atomic balm of tenderness

                     *

merging without mixture or separateness).

Maximus once limned it thus,

the monk who bore witness

(with loss of limb) for concept Orthodox –

incarnate knot of human & divine,

united unlikeness – like

that tomb slab, a limestone block

marked by what seems a breaking line

but only seems; the two are one

in one Person, of three

in all; still guarantee

amid the waltz of turning sun & moon

of Love’s immoveable eternity.

Out of deep matrix

of Ocean – intergalactic

scheme of merry stars in that sea...

inconceivable conception of

all origins (harmonic

correlations, thick

with measureless & dancing life).

The Manitou all people know,

Aquinas wrote.  The God

who dreamed this serenade...

we meet you in the shady slough

beneath great knots of wild grapevines

beside the muddy Jordan –

down by where solitary John

once cast a seine for Jonah (safety lines).

7.11.18

conducting veinous electricity

MUD-ANGELS

These three mud-clay homunculi

hung from pink ribbons

in my tent – lumpy remains

from some Dance of Death?  My

mother must have brought them back

from Mexico (mud-angels

to guard her potter’s wheel).

Coatlicue of Quauhnahuac,

adamant Madre of encrusted Time!

Out of your bottomland

whirls eye-in-hand –

out of Monk’s Mound’s perennial slime...

Clay muscles rolling stone – conducting

veinous electricity –

out of nothing come to be

loaves loafing from the oven (rising,

singing).  A moss-green Isis by the Nile

(or in West Branch) you

rain your rivers blue,

compassionate Magdalen – your smile

lifts Jesús from the grave, raises

Enrique from the cemetery

too (some ordinary

day on Earth).  Hobo Jay cleanses

all hearts, rinses eyes with river-clay –

sighs, EPHPHATHA.  From boulders

God can lift up equal daughters,

equal sons... just look at buried Henry-manqué!

7.10.18

Reasoning about the existence of God tonight ?

Back in my Caesar salad days, I used to ham it up on the old blog almost every waking slumber.  My forte (whether by music, poetry or pure verbiage) having always been improv - "uniquely suited" (as they say) to extensive bloggification on all matters pertinent and impertinent - I was having a field day every night.

Oh well, enough about that.  I've been reading - trying to read - an extremely dense and philosophically technical book by Denys Turner, titled Faith, Reason and the Existence of God (Cambridge UP, 2004).  It's one heck of a meatloaf.

Turner is defending against an old traditional challenge to St. Thomas Aquinas.  He's too rational, he's too philosophical : and as such, he veers too far toward the "natural", the secular, the humanist, the agnostickal, the pantheist, etc.  Turner is also challenging those contemporary theologians who have basically surrendered any rational argument for theism, on behalf of an interpretation of "negative theology", apophaticism, & so forth, which disallows rational argument on behalf of mystical (post-rational?) faith.

I'm not doing Turner justice, and am bowdlerizing & totally messing up what this extremely logically assiduous scholar engage is trying to say.  Nevertheless, I'm on his side.

After working through, very carefully, the alternative mentalities of Kant, Bertrand Russell ("the world is just a fact") and a few other prominent agnostics, Turner comes around to defending, very obliquely, very elegantly, the logic of Aquinas, regarding the one most basic & most profound children's question at the heart of philosophy and religion : Why is there anything, rather than nothing?

Sit back and think about it, quietly, for a while.  La vida es sueno.

There is no simple "positively theological" answer to this basic question, as Turner makes clear.  Negative theology, "apophaticism", is inherent in our reasoning itself : because we know we cannot explain how God has produced this intricate dream-cosmos.  The question ends in wonder.

Which leads Turner, and Aquinas (and me) back to the delicate distinctions of the Chalcedonian creed.  We know God only through her manifestation as the conjunction of differences : the human-divine Person... "without separation, without confusion..."

Love manifest as infinite mystery, gift, harmony... and, in the end (at the center of interplanetary melody) - victory, glory, law, fulfillment, redemption.  Star of Redemption... promised land, "kingdom of heaven".

Don't ask me to explain.  Bird has left the cage.

the poem is a sort of Edicule

MODEL DOME

So then, the poem is a sort of Edicule?

My allegory’s all unglued.

Runny gouache, stewed

river clay.  Some no-count school.

The building, trembling in devolution

shored up like a veteran

with iron-rivet skeleton.

Metamorphosis by desperation.

My babble-model of the cosmos –

molded on a mini-dome

within a dome (Jerusalem-

fond matryoshka doll).  The keys

to a box, where lie a bunch of keys.

Over meleki limestone

slab, one forest olive-green

icon.  Your madre of collapsing gaze

rains down (with her clay ointment jar).

He is not here, he

is not here.  She’s

muted as trumpet, or Morning Star –

an eye-in-hand, an ocean tear.

Light blazes (calmly

coruscant undying day).

He is not here, he is not here.

Wind mews in muscular oak tree.

They’re up in Galilee,

maybe Cahokia... you’ll see.

Inventing deeds of agape – live poetry.

7.2.18

only Osage land

WHAT SMILE

July... all the baby flags.

Every bright young lamb

tuck to torment in Vietnam.

Lyndon moon-face – how it sags.

Hubris... alien, demonic force

unhinged from humility

(vomitgreen parrot pity).

Folds bomber-wings in remorse

after all.  Neither national

nor international;

only irrational

(November’s double coronal).

I’ll finish off this work in progress

now, Columbia –

OK?  Oklahoma’s

only Osage land (but I digress).

& poetry?  Is just a conversation

among singed beans.

You joint it, Henrythin,

to ease U-Haul into elation

(somehow).  That OK.  The heart

is made of meleki limestone

(royal).  43 lamps shine

down upon them groove.  What

now, Henry?  What hum?  What ghost

flit as yum turtledove

‘bove fry Friday pirate cove?

What smile lightum up (coruscant host)?

7.1.18