all glory, laud & honor

PUDGY PALM

The homeless Mandelshtams – Nadezhda,

Osip – shelter in the Hermitage

beneath a Rembrandt image.

Theotokos with Child – da, da –

the yellow-black goldfinch, perched

upon his pudgy palm.

Invisible museum

in the mind.  Like Hagia Sophia (arched

Argo of a million eyes) whorled

in one prow... her kelson

Love’s bright apparition –

equilibrium of peaceful world.

All glory, laud & honor...

the sensus comunis

of common good is

at your service (humble, poor) –

Franciscan mule of stubborn heart

whose fast is doing

(in twilight fast fading) –

out to the glimmer-rim of art

back to the ember-glowing hearth.

The honor of the civitas

so shaped by selflessness

into a form of equity – in truth

& mirth, transparency... your wings

in flight, O Tyche-Liberty –

humble Columbia (Black Sea

to Golden Gate) Nadezhda brings.

4.30.18

rolling logos contest

SWAMP SEASON

Like the 1001 Nights, or a man

facing a firing squad

who just keeps talking (odd

bird – Cassandra in a coal mine,

prophet without honor) so

I go on.  Smoking

bloody forest of broken

ships – keening keel of Argo...

who can lift the great acorn

model Constitution?

Strong whiff of glue,

my son.  The safety net is gone.

Impalement of the nations

on Stalagmite 17.

Thin poets bleed between

the cracks in their creations.

Somehow the acorn is a lightweight

coracle.  Behold an order

older than disorder –

Aurora Borealis, lifting slate

steps up to bonfire (Milky Way).

Your molten magnanimity

from nothingness – to be...

becomes a Minotaur’s nightmare (hey

yo).  The absence of a Someone,

croaks Crow (Solomon

anti-authoritarian) –

presence of a maze (swamp season).

4.26.18

limestone eyelid

TEXAS HERON

The smoking poilu, in his pink turban

like a blasted basilica

bent over Ravenna

marshland.  Many thousand gone.

His ferrous requiem for Texas heron –

wings on migration,

Zion to destination

unknown (indifferent shotgun).

A ghost dance of repetitive waves.

Arthur in Otranto,

Geo in Ferrara...

Micòl & Black Elk (lead-gray graves

in crowds).  A quiet cemetery

full of new-mown grass.

They Shall Not Pass.

Heaven & earth... won’t fade away.

The Magdala Stone... hasn’t figured

yet.  Her equilibrium

of magnanimity (come,

stay!) – like rain over the weird

Mammon of idle selfishness...

a motive for release.

She’s coming, Orpheus –

returning, Willy – rose of Inverness

or little almond tree – Mary

shedding lambent grace

or Jenny Falcon-Ace –

Love’s fiery knot (bright quipu-tree).

4.25.18

domestic hellenism

REMBRANDT WORLD

Imagine a humble Rembrandt world

(domestic hellenism, say)

where everything is (replay,

rusty Super-8) revealed –

unsealed, familiar testament

wherein you were sown

amid Grant Wood corn

(Birthplace of Herbert Hoover), bent

beneath pewter thunderheads

like wheat long-planted

at a battlefield (wind-

harrowed silos, homesteads).

By the rude bridge that arched the flood

– the wordspan, carved against

despair (Grace hastens

with her furnace-lamp... slight lift of mood)

here once the embattled farmers stood

– measuring early earth,

where your Dream (4th

of J?) becomes flesh & blood

& fired the shot heard round the world.

Ariosto in Ferrara,

say – that avian eye

on tyranny (Limentani’s branded

heron-lid).  Poetry is resistance

against the Emperor

of pyramidal distemper;

Concord... Voronezh... (buoyant equivalence).

4.19.18

ship of wind

EGYPTIAN BARGE

A prairie fire like a freight train

fed by wind (your searing

Word).  Not for hearing

but for doing... here it comes again.

Will cauterize your poetry

to cinder of Egyptian

barge.  Lips burn

ice friezes (hay society).

A replica of ancient Greece,

delicate, peevish...

stern Rome’s thievish

siblings (disguised in fleece).

The Pilgrims’ covenant of winter

light – bewildered, free –

a broken redwood tree

(toppled by Oldman’s greedy splinter-

group).  The milk train of the nations

merges with its blistered

rails.  Longfellow heard

rain fall... Berryman damnations.

Who shivers like a flame against

the edge?  Is it Henry

hisself (decrepit Limentani)?

The canoe in the garage (All Saints’

Day shrine)?  Her candle, wavering

above extinction... hum

of rock-dove (columbarium).

Rose bridge of lips, life-savoring.

4.18.18

Reminiscences of 1865

GREY FEATHER

Today we recall the tall gaunt pioneer

with Peruvian cheekbones.

His fifth scene atones

for all that blood shed in anger

at the righting of wrongs; his brief turn

by the Gettysburg graveyard

consumes, with a perfect word,

our kindled rage in bright compassion.

The creaking panorama of all wars

since Cain killed Abel, here

slows, crawls... Ford Theatre –

whose British farce on Yankee manners

stumbles from play to traitor’s hour.

Dusky similitudes...

old King of the Woods

hung from an oak (in Raven’s power)...

the tragic pattern rotates on a string.

Tyro, dangling puppets

tangled on parapets,

shuffles the script – the play’s the thing.

Your clear-eyed servant laughs his last,

cries, Come to my Thanksgiving

feast!  An overlay of evening

wash soaks its river of papyrus bast

in crimson, indigo, & brown.

Still life.  Peto.

Reminiscences on Yew.

Grey feather you must make your own.

4.14.18

spring crucible

ASPHALT PATH

Yesterday your birthday, Papa.

92, mild ghost.  Sun-wheel

set at Swan Point... seal

of a woman’s self-extinction.  Ah,

woeful calendar (Coatlicue).

Strife of father & son.

Friday black sun,

aboriginal sin (hey ey

yo).  Here in Minneapolis

snow, interring April

in one wide hexagonal,

preserves a buried man in ice

(Resurrection Cemetery).

Henry ascends the asphalt

path from heart’s tumult

to frozen Father of his Country.

Washington Ave. Bridge.  Yet

(wobbling, wavering

within your shadowy

ring of flame) – dawn’s pale promise!

Man’s faithless diffidence his own

life sentence, we

depend upon your mercy

to raft us into Libertas again –

mysterious Jonah in the “33”

(Mars’ den) whose hum

breaches delirium,

wind-bred to share (Nazarene glee).

4.13.18

tutelary loon

MURAL CROWN

The river rifles arctic blue today

beneath nippy April wind.

Hobo his way will wend

downhill, ahoy, with the current, hey.

His notebooks stew in crumpled chaos,

like a Burchfield swamp in June –

half cricket calendar, half jejune

palimpsest (July stinks Janus).

Bleak melancholy in Ohio.

Spooks in lean eaves.

Storks bundling wet sheaves

across the ‘30s.  Good material, O.

Hobo looks up from bottomland.

He holds an eye-in-hand –

muddy Cahokia (one grain

of sand).  Just Clay’s j-jug band.

These bricks are 28 feet thick.

A pyramid, almost –

only Hunky Ghost

(Ho-Chunk) could make this stick-up

stick.  Like Killers of the Flower

Moon.  Getch’r Manitou

(just one gris dollar few)

before she get you.  Evening hour

now.  Mire-flowering almond tree

out of Voronezh (or Galilee) –

your mural crown, Tyche.

Hyacinth madeleine (waiting for me).

4.6.18

for Martin Luther King

DEEP SPRING

          for Martin Luther King

Late April snow.  A blinding white

50 years after Lorraine

Motel.  Memphis, again.

River-Land, seeking an Ocean State.

Rich port-of-call – the 51st, maybe?

Lost Black Sea pebble,

gray whale in trouble

(silent in the silence).  Who is she?

Grace filters into Providence

through stubborn darkness.

Rose Island light – less

diamond than dawn translucence –

only a signal for a wayward eye.

A Chartres chart, or maze

from Notre Dame (haze

mollifies her frozen sky).

The sleepwalkers smolder through smoke-

machines.  Father & son,

their colder war passed on –

unfriendly history (life’s but a joke).

Still roses bloom, in Galilee –

galactic Okean

become a local pond;

folksinging Nazir calling me

to dance, & calling you as well.

Deep spring’s Unknowability

leaps into charity –

a little Noah-boat skims out of hell.

4.4.18

mumbling toward spring

EARLY CAVE

To trace the plummeting ellipse

of these post-Easter flakes –

the hexagon each makes

a microcosm of the temple’s

lightweight, hollow honeycomb.

Awaiting his parousia...

ghost-dance Messiah,

Nazir out of Galilee-to-come.

Far-off tumult of primavera.

Genesis of purling springs.

Pale intermingling things

in punished neighborhoods (era

of Pharaoh, or Caesar).  Signals

from an early cave, or tomb.

Eternal vault (the womb

of patient Lazarus, of Jonah’s wails).

Natasha’s limp.... Clover’s marble

Isis-veil.  The keening

eye of Magdalen (far-seeing

heart).  A Galilean stable

where animals & refugees

breathe the same air.

Earth-time halts there –

her catenary thread a breeze

lifting twin pillars (Alpha &

Omega).  Planted so

in graveyard snow...

grain of renewal (to the end).

4.2.18

painting by Nancy Hart

with Grace (in memory)

MANUSCRIPT ILLUMINATION

                  i.m. Grace Tagliabue (1922-2018)

In that heavenly kingdom of Como, or Maine,

his ready bird-feather

will already be there

with you, Grace – to bring peace, to make plain

the origin of the Cosmos in love & joy –

his valiant light-heart

casting out fear with an art

like child’s play.  & you (his chief toy,

rest, dream) would be there, too –

answering love with love

from the deep, from above,

tracing that birdsong in robin’s egg blue

& loops of moss-green watercolor.

Since poetry – imagination –

is manuscript illumination,

you chose to let John’s words flower

like parchment flesh in a bath of rebirth –

& as time slowly waltzes us

toward our last contra dances

you help wash our feet on Earth

& ready us for that elfin circle-dance

in the kingdom of children &

animals & grains of sand

all sparkling in the galaxies... entrancing

Entrance to Eternity (your linen

wheel of emerald palm-

prints... infant calm

babble of Phoebe)... heaven’s amen, amen.

    with grace, from Grace, by grace 

                                3.29.18

the Ides of March in its idea

DOUBLE-BIND

That brilliant peacock-feathered eagle

Joachim fingerpainted

on parchment (ancient

plummet out of Calabrian ingle-

cave) figured the Holy Ghost –

monarch of the air,

white-haired regal raptor

rapt to avenge every Tuscan boast.

I marvel at the prestidigitation

of the priestly mind –

the Akeda, a double-bind,

knotting its pivotal vocation

under the shadow of those gilded wings...

that mountebank YHWH

in his coyote way

the widerruf of pyramidal things.

Folktales & myths were a defense.

Mechanism of the nurse

to lullaby the curse

& soothe the children in their tents...

they builded better than they knew.

The king is dead, long

live the king.  Bong

sounds the gong – old Caesar’s through.

Absolute control is crumbling.

Even now, the axe

is laid to the root... don’t

ask.  Meek Joachim is mumbling.

3.15.18

speech after long silence

DARK MATTER

On Ghiberti’s “Gates of Paradise”

(bronze doors of Alighieri’s

Baptistery) mute eyes

read open palms as messages –

clouds’ condensation (mist & spray)

solidifies in glints

of angels’ footprints.

Cerements & shrouds (all hands... away).

Sauntering winter by the river

leaves only this ladder

of snow – bronze adder,

subterranean shiver (moon-silver).

Anonymous Zaccheus of Topsfield

fined for making friends

with Indians &

Quakers (150 years ground

on, before the Revolution

bent the tune).  We are

the salt within the Rio

del Espiritu Santo (many thousand

gone).  We are the Lenten corn

in a maze of amnesia

to the horizon (hallelujah).

Old Hole-in-the-Sky – buffalo-shorn

tepee – pyramid cathedral, aye.

Dark matter between Bear

& Lyre; grey mother,

Jonah’s poncho (oaken sigh).

3.12.18

January nice

looking out a window

HER STATUE

I’m getting older, while the day’s

becoming lighter.  As

in Mary Gould’s last

watercolor (Bardsey Island, Wales) –

looking out a window from brown shade

of cave-like room, toward

April greensward.

Frail hand... pale grass, overlaid

with stone outcrop... old walls, old cross

(Romano-Celtic maze).

Delicate spring promise

from an ancient vault (Natasha’s

limping that way now, with me).

Her temple’s labyrinth –

sea-goddess, Amaranth –

only a sheep-door, west of Galilee;

only this frozen winterworld

all thatched with foot-

prints (near that ice-hut

where Henry’s burr-man hurled

like a cedar waxwing to mistaken ice).

Crabapple food for golden

beaks... spiritual gates, folding

for abject mortals (Minnesota nice)

into a paper bird from Paris, maybe –

Apollinaire’s turban

or Marianne’s tricorn

mayhap – dancing a crane-dance (starry

                    *

sacrifice) with shuttle-pagination.

Ariadne on the golden floor

rhyming with Morning Star

east of Cahokia – her crown of corn

lifting like Liberty (or Spirit

of St. Louis) for a

constellation (Columbia) –

gray-winged Jonah of an old planet

molting to Thunderbird out of the new.

Each Troy-town so will show

her Julia, Iulus, Juno –

or Sophie, prancing here and now

across the parapet of innocence

like dew upon the brow

of childhood’s rainbow –

O bright helm of human sentience!

Behold a Union, fused in fire & light

of soul-transfiguration –

future-human-nation

people, ever-living, stony-bright!

You see that Gate as through an old

& shady window, in a bed-

sit somewhere (in the Hebrides?).

Old stones, light green, grass-emerald...

sprung out of the eternal vault

like Livingstone out of jungle,

where fiery spirits mingle

in a playful dance... – her statue, Walt!

12.27.17

quiet end of the year

LOVE’S CAVERN

At the quiet end of the year,

among the barn smells

a chilly infant wails –

a refugee.  Shepherds draw near.

He is king.  His mother is

queen.  His father is

a mule-driver (was,

anyway) – Vietnamese,

I think?  They live in Egypt now.

They’ve never seen Ghiberti’s

Gates of Paradise –

that brazen lava overflow

to metamorphoses of fiery dream

and rock – sedimentary,

igneous, flickery...

roiling sun to spring, upstream;

they’ve never been to Providence

or heard the Rose Ensemble

whose violas tremble

with harmonious transience...

they live the poverty of innocence.

Light flickers in a manger.

Someone senses danger –

cows murmur, chickens grow tense...

enormous shadows of the monster-men

leer over flesh & blood.

It is the shadow of the rude

star burning in the last heaven

                  *

– the red star, bringing rectitude

out of the mild mien

of that child-man –

incarnate stony magnitude

heavy past sullen measurements

of every swollen tinpot

despot in his chariot.

Matrix of cosmic elements –

the figure of a man emerges,

burning in brazen tongs

and glossolalia of tongues

from every tribe.  Sea surges

multitudinous, incarnadine...

Ocean called universe

forging one verse

with arches (catenary, almondine).

So combers crested in a tower –

moonbright Witch’s Hat

tenting her desolate

oak-limbs (snowy owl’s bower).

Quetzalcoatl, brazen serpent,

lift each refugee of time

into your feathered rhyme

of flame.  Your flicker-tongue, sent

dancing into each soul’s paradigm –

the sparkling river, bent

back to its fundament;

Love’s cavern, salting every lime.

12.23.17

digging in the dirty green

AYE-AYE

The dirty green of the dollar bill.

Gardener George, earwigged

on one side (with a big

little Mona Lisa smile).

The eye over the pyramid (annuit

coeptis) on the other.

Levitating, mother!

Mammon, touching his limit –

a gilded pharaoh, forced to step

sideways (into the river-

sand).  Busy beaver

out of Illinois might be princeps

round here (nobody knows

til all the votes are counted).

We are all the Lord’s anointed

Preacher-Judge (siege perilous)

leers in the face of b-flat storm –

Cordelia, ascend

your throne, bend

everyone to teeming agape (love’s form).

The government shall be upon

his shoulder (right to left)

until the desolate bereft

& greedy soul relents – a human

Imogen emerges, lowly

& victorious.

Dancing the periplus

of Arg-Noah (144, aye-aye).

12.12.17

Traverse des Sioux

LITTLE CROW

Down by the Minnesota River

choked with fertilizer –

shallow brown water of

Traverse des Sioux.  It was here

the white man stole the territory

with treaty signed in smoke

(fake handshake, mock

friendship).  We didn’t mean it – sorry.

Eleven years later (1862)

starved, dispossessed

the scar broke open (led

by blue, reluctant Little Crow).

Extermination of the buffalo

echoed the reservation

camp.  To build a nation

all these savages must go.

The lightweight arc of birch canoe

is like an eyebrow (wingbone

frame, sutured to one

Rose Island – lamp of Manitou).

We’re limping back to Providence.

The whole grotesquerie

of violence & perfidy

to be forgone (washed in the silence

of the sea).  Down Mississippi way

you feel a salty shell wash

through fingers... an eyelash

leach one tear, slowly.  Hey ey.

12.11.17

part of a panorama

FLAT RIVER

You want to understand the metaphysical basis

of these innumerable poems-

après-poems.  Sherlock Holmes

might just as well (go home).  Faces

crowd the apparitions – bow

wet black petals

into wreath-portals;

Nile barge (or Venice funeral-scow).

Sometimes the dishwasher breaks down (just now).

Anton Gàg died young.

Paint fumes (bad lung) –

Bohemian lifestyle in New Ulm (& how

his seven kids survived, I dunno).

Painted Dakota braves

advance through dry sheaves

hungry for ground (1862)...

We’re part of a panorama, Melody;

some Mendelssohn concerto

swelling to tomorrow...

Nature renewed by grace (slow psalmody).

The flat river was calm today.

The bridge craned upward

in a mirror, downward.

Man & God in Maggie’s puffer, aye.

Aunt May (out of Glasgow) beset

my father (John Douglas)

with needless trials, alas;

the ship of faith already left the port.

12.2.17

we must carve a consensus

MOON-SHADOW

The Seekers gathered on the shore

of Providence River.

Canonicus (Indian giver)

steered them to festal hearth, & more.

Warm wholeness, understood by all.

We must carve a consensus

like log canoe, he says.

All flows from Manitou – not full

of vanity & pride, but like

a farmer in disguise –

gentle kenosis-

metamorphosis (Nokomis Lake).

The raging trickster flings flaming

orange bars into stream

burnt like a furnace-dream –

a grasping Minotaur, defaming

Imogen... moon-shadow (of the sun

of Man).  Eurydice,

Psyche...  Clover’s Henri,

en camouflage (homespun)...

Light on the river frames a simple

cloverleaf of spring.

Fond Pocahontas-swing

where fern unfurls (from ample

fiddlehead to wavy palm).

Whisper me back to you,

Morning.  The crown’s U-

turn rivets an oak bee-hum.

11.30.17